The Assassins' Code - Stick to the mission. Never take your eyes off the target. Show no mercy. Natee (Dan Chupong) became a killer for one reason- to discover who killed his parents. As he...
See full summary »
Lifelong friends learn the traditional techniques and skills of Muay Thai Fighting that has been past down from generations. When their training camp is shut down they begin to fight ... See full summary »
The story is set in 1890s Siam. Siang (Dan Chupong) is a young Muay Thai warrior and rocketry expert who steals back water buffalo taken from poor Isan farmers by unscrupulous cattle ... See full summary »
After his family is killed by a Serbian gangster with international interests, NYC detective Nick goes to S.E. Asia and teams up with a Thai detective to get revenge and destroy the syndicates human trafficking network.
Based on a true historic figure during Ayothaya Era, the film depicts the life of Yamada Nagamasa, a Japanese adventurer who gained considerable influence in Thailand and became the ... See full summary »
Legendary Chinese anti-hero Zhong Kui, a young man endowed with mysterious powers who is forced into a battle among the realms of Heaven, Earth and Hell in the course of his attempt to save his countrymen and the woman he loves.
The Assassins' Code - Stick to the mission. Never take your eyes off the target. Show no mercy. Natee (Dan Chupong) became a killer for one reason- to discover who killed his parents. As he gets closer to uncovering a secret network of power and corruption, he's double-crossed on a job, making him a target and putting everyone he loves in danger. Betrayed, exposed, and hunted by the deadliest killers in the business, now Natee has a new code. Be faster. Stronger. Hit harder. Survive. Director, fight choreographer of ONG BAK and mentor to action star Tony Jaa, Panna Rittikrai reunites with Dan Chupong of BORN TO FIGHT (2004) in his final film.
During one of the last gunfights of the movie, one of the two protagonists picks up a double-barreled shotgun. However, he cocks the gun before firing as if it was a pump-action shotgun and after shooting it, it changes appearance to a pump-action shotgun as presumably intended originally. See more »
A mess of a film with some great action scenes nonetheless
VENGEANCE OF AN ASSASSIN is the swansong of action choreographer Panna Rittikrai, a guy who kept the action genre alive in Thailand for three decades until his untimely death last year. This is the guy who brought Tony Jaa to the world in ONG BAK and WARRIOR KING, along with making fine films like BORN TO FIGHT along the way. His recent Thai martial arts movies have been disappointments, and VENGEANCE OF AN ASSASSIN the last of those.
It's a frustrating film to watch, because the storyline is all over the place and the script is very poor. This comes from a viewer who has no problems with the story of WARRIOR KING. Key sequences are rushed over or missed entirely so that the viewer always feels wrong-footed and not entirely sure of what's happening, particularly at the outset. Around the halfway mark it becomes a straight action film with no story but you're still left with questions at the end.
Still, the action is what we're here for, not the daft story or the non-existent acting, and I'm pleased to report that the action is good. VENGEANCE OF AN ASSASSIN is filled with the kind of old-school stunts that we know and love from Thai cinema, alongside tracking-shot shoot-outs and quite brilliant martial arts scenes. These fights are more brutal than ever before, with Thailand seeming to take inspiration from the hits of their neighbouring country, Indonesia (THE RAID films). A garage fight that takes place midway through and sees hero Dan Chupong letting rip with a sledgehammer on his victims is the highlight for me. Yes, the CGI train stunt is appallingly poor, but like WARRIOR KING 2 I enjoyed this film nonetheless; I've lowered my expectations for Thai cinema, so this kind of nonsense doesn't bother me at all.
1 of 1 people found this review helpful.
Was this review helpful to you?