Zeichnen gegen das Vergessen (2015)
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- 1h 7min
- Documentary, Biography
- Movie
- 2 wins & 2 nominations.
- See more »
Photos and Videos
Directed by
Bärbel Jacks |
Written by
Bärbel Jacks | ... | (writer) |
Produced by
Klaus Brecht | ... | co-producer |
Klaus Graf | ... | associate producer |
David Kunac | ... | executive producer / producer |
Gabriele Quandt | ... | associate producer |
Music by
Edgar Unterkirchner |
Cinematography by
Tobias Corts |
Editing by
Georg Michael Fischer |
Sound Department
Marcin Cichon | ... | boom operator / cable person |
Hubert Grissemann | ... | boom operator / cable person |
Andreas Kickel | ... | cable person / sound |
Christoph Käsbauer | ... | boom operator / cable person |
Sean O'Neil | ... | boom operator / cable person |
Roland Platz | ... | foley artist |
Martin Rohrmoser | ... | boom operator / cable person |
Stefan Zaradic | ... | sound editor |
Uwe Zillner | ... | foley editor / foley recordist |
Visual Effects by
Bruno Löwe | ... | digital effects |
Camera and Electrical Department
Jürgen Christa | ... | assistant camera |
Richard Koburg | ... | assistant camera |
Adam Morell | ... | assistant camera |
Richard Numeroff | ... | additional photography (as Richard Numerof) |
Krzystof Ordon | ... | additional photography |
Michael Siudzinski | ... | assistant camera |
Additional Crew
Sarah Neumann | ... | production assistant |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
Plot Summary |
Austrian painter and photographer Manfred Bockelmann, was born 70 years ago in 1943, a time when millions of people, including hundreds of thousands of children, were killed. Contemplating his 70th birthday, Manfred Bockelmann made a resolution: he will strive to keep the memory of children and adolescents that died in the concentration camps alive. He started drawing their portraits and in doing so realized that he had set himself up for a task that would occupy him for the rest of his life. With every finished portrait, he claims, he adds 'faces to the number, brings people to life out of the anonymity of statistics'. Bockelmann will continue drawing these portraits for as long as he can: Drawing to keep memory alive, drawing against oblivion. |
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Did You Know?
Trivia | "The number on my arm was my ticket to survival. If you didn't have this number you were finished". To the inmates of the death camps the tatooed registration number was crucial. Only inmates who were selected for labour were given a number which equaled life. See more » |