Directed by
| Mike Fraser | ||
Writing Credits (in alphabetical order)
| Mike Fraser | ||
| Ralph Montagu | ||
| Charles Mosley | ||
| Mary Stewart-David | ||
Cast (in credits order)
Produced by
| Mike Fraser | ... | producer |
| Graham Weston | ... | executive producer |
| Chris Wheeldon | ... | line producer |
Cinematography by
| Richard Blanshard | ... | interview cinematographer |
| Peter Edwards | ||
Editing by
| Rab Wilson | ||
Casting By
| Gordon Winter | ||
Production Design by
| Andrew Howe-Davies | ||
Art Direction by
| Tom Rea | ... | standy art director |
| Thorin Thompson | ||
Costume Design by
| Caroline Pitcher | ||
Makeup Department
| Sonia Akouz | ... | makeup artist |
| Carol Greenfield | ... | hair designer / makeup designer |
| Amanda Turner | ... | hair & make up assistant |
Production Management
| Jonathan Wilde | ... | unit manager |
Second Unit Director or Assistant Director
| Cordelia Hardy | ... | first assistant director |
| Christopher Hughes | ... | second assistant director (as Chris Hughes) |
| Thom McNally | ... | third assistant director |
Art Department
| Paul de Csernatony | ... | property master |
| Cai Dyfan | ... | prop hand |
| Amy Maguire | ... | stand-by art director |
| Alex Potts | ... | storyboard artist |
| James Wheeldon | ... | trainee art department |
Sound Department
| David Brill | ... | sound recordist |
| Adam Mendez | ... | re-recording mixer |
| Kyle Pickford | ... | boom operator |
| David Turner | ... | sound post facility head of department |
| Andy Walker | ... | supervising sound editor |
Special Effects by
| Paul Clayton | ... | special effects |
| Jim Dowdall | ... | stunt special effects |
| Paul Padfield | ... | action vehicle coordinator |
Visual Effects by
| James D. Fleming | ... | visual effects supervisor |
| Sam Spacey | ... | visual effects producer: The Senate VFX |
| Ben Fleming | ... | digital compositor (uncredited) |
Camera and Electrical Department
| James Abbott | ... | second assistant camera |
| Kamal Asad | ... | digital imaging technician |
| Graham Banks | ... | best boy |
| John Cleary | ... | camera car |
| Oliver Lockett | ... | first assistant camera |
| Theo McMenamin | ... | assistant camera |
| Kylie Stubbs | ... | grip |
| David Tanner | ... | lighting technician |
| Jonathan Tanner | ... | gaffer |
| Andy Young | ... | key grip |
Costume and Wardrobe Department
| Claire Jennings | ... | costume supervisor |
| Billy Kimberley | ... | stand-by costumer |
Editorial Department
| Ross Baker | ... | d.i. colorist |
| Sean Barton | ... | supervising editor |
| David Turner | ... | digital intermediate head of department |
Music Department
| Gavin Lockley | ... | music consultant |
| Graham Sutton | ... | music editor |
Transportation Department
| Ollie Birmingham | ... | production driver |
| David Fleck | ... | makeup/hair trailer driver |
| Martin Holmes | ... | unit driver |
| Trevor Knowlden | ... | costume truck driver |
| Theo McMenamin | ... | production driver |
| Jalal Uddin | ... | driver |
Additional Crew
| Emma Green | ... | production coordinator |
| Paul Hillier | ... | e&o insurance |
| Rachel Beaconsfield Press | ... | production secretary |
| Theo Rouse | ... | assistant to the producer |
| Gareth Van Den Bogaerde | ... | consultant |
Thanks
| Jane Box | ... | special thanks |
| Anthony Evans | ... | special thanks (as Anthony and Caroline Evans) |
| Caroline Evans | ... | special thanks (as Anthony and Caroline Evans) |
| Robin and Flickie Pleydell-Bouverie | ... | very special thanks |
| Andrew Rawlings | ... | special thanks (as Pru and Andrew Rawlings) |
| Pru Rawlings | ... | special thanks (as Pru and Andrew Rawlings) |
| Margaret Rowles | ... | special thanks |
| Heidi Slee | ... | special thanks |
| Lucilla Van Den Bogaerde | ... | special thanks |
| Peter Watson-Woods | ... | very special thanks |
| Robert Young | ... | very special thanks |
