In the Ottoman province of Hijaz during World War I, a young Bedouin boy experiences a greatly hastened coming-of-age as he embarks on a perilous desert journey to guide a British officer to his secret destination.
Company commander Claus M. Pedersen (Pilou Asbæk) and his men are stationed in an Afghan province. Meanwhile back in Denmark Claus' wife Maria (Tuva Novotny) is trying to hold everyday life... See full summary »
A crisis counselor is sent by the Catholic Church to a small Chilean beach town where disgraced priests and nuns, suspected of crimes ranging from child abuse to baby-snatching from unwed mothers, live secluded, after an incident occurs.
The story of the relationship between Karamakate, an Amazonian shaman and last survivor of his people, and two scientists who work together over the course of 40 years to search the Amazon for a sacred healing plant.
The only residents of young Nicholas's seaside town are women and boys. When he sees a dead body in the ocean one day, he begins to question his existence and surroundings. Why must he, and all the other boys, be hospitalised?
Early summer. In a village in northern Turkey, Lale and her four sisters are walking home from school, playing innocently with some boys. The immorality of their play sets off a scandal that has unexpected consequences. The family home is progressively transformed into a prison; instruction in homemaking replaces school and marriages start being arranged. The five sisters who share a common passion for freedom, find ways of getting around the constraints imposed on them. Written by
Festival de Cannes
IN the scene where the grandma opens the wardrobe, a t-shirt with "#direngezi" hashtag on it is seen. The hashtag is the famous motto for the riots which took place when the government wanted to demolish the "Gezi Park" at the central of Taksim Square. See more »
If you try to marry me off I'll scream.
Everything changed in a blink of an eye.
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Mustang tackles with Turkey's most important problem, the issue of woman in society: her secondary place and the patriarchal chains around her, due to culture, politics, religion and socio-economic development. Therefore, the director's effort should be viewed as most welcome and needed attempt. I think the director manages to show the virtual prison experienced by all sort of women in our society, through the case of those sisters.
However, and despite the director's best intention, movie in general fails to deliver an authentic picture of everyday life and details in the country. Oppression of girls and their youthful desires is correctly depicted as a whole, but done in somewhat unrealistic ways. You get the feeling that the director, the script writer, and even the actors remain quite "foreigners" to the situations they are interested. Some are accusing the director as orientalist (playing to Western gaze) because of these failings. I don't agree, but it would be better if they had worked more on the everyday life and details of the countryside where the film occurs (like better local dialogue, better acquaintance of local customs).
In short, I found Mustang a very important movie, but with its own problems. Technically it does not offer something novel, but it is courageous directly to point the gender issue in a very conservative society.
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