Brilliant episode, more fun than a barrel of hammers, entertaining, emotional, unexpected, moving.
I have been very critical of the dark dreary narratives lately and if there is point of no return for writers who fall in love with flashbacks, this series crossed that line in season 2.
Here is one of the best episodes of the season, no flashbacks, story told using traditional narrative and exposition, great use of the Felicity character ... and it is a treat.
Why can't they all be like this?
Nice to see Charlotte Ross adding her own style of elegance to this episode. Born in 1968, and she looks great.
I have been very critical of the dark dreary narratives lately and if there is point of no return for writers who fall in love with flashbacks, this series crossed that line in season 2.
Here is one of the best episodes of the season, no flashbacks, story told using traditional narrative and exposition, great use of the Felicity character ... and it is a treat.
Why can't they all be like this?
Nice to see Charlotte Ross adding her own style of elegance to this episode. Born in 1968, and she looks great.