Directed by
| Kevin Good | ||
Writing Credits (in alphabetical order)
| Jenna St. John | ||
Cast (in credits order)
Produced by
| Erin Goldstein | ... | producer |
| Kevin Good | ... | executive producer |
| Barry Gribble | ... | producer |
| Jenna St. John | ... | executive producer |
Music by
| John Piscitello | ||
Cinematography by
| Gus Soudah | ||
Editing by
| Kevin Good | ||
| Barry Gribble | ||
| Jenna St. John | ||
Casting By
| Joy Haynes | ||
Production Design by
| Erin Goldstein | ||
Set Decoration by
| Candice Bloch | ||
| Erin Goldstein | ||
Costume Design by
| Erin Goldstein | ||
Makeup Department
| Emily Shinn-Spence | ... | key hair stylist (as Emily Shinn) / key makeup artist (as Emily Shinn) |
Art Department
| Mike Architzel | ... | props builder |
| Candice Bloch | ... | props |
| Adam Hoffman | ... | graphic designer |
Sound Department
| William L. Kaplan | ... | sound recordist |
| Zach Lancaster | ... | sound mixer |
| Bernie Ozol | ... | sound mixer / sound |
| Scott Robinson | ... | foley editor |
| Heidi Swearingen | ... | boom operator |
| Woody Woodhall | ... | re-recording mixer / sound editor / supervising sound editor |
Visual Effects by
| Kevin Good | ... | visual effects artist |
| Paul Good | ... | visual effects artist |
| Ryan Urban | ... | archival photograph colorizer |
Camera and Electrical Department
| Marc Alexander | ... | gaffer |
| Jeff Caplan | ... | set photographer |
| Matt Creger | ... | key grip |
| Stuart Haight | ... | gaffer |
Additional Crew
| Candice Bloch | ... | production assistant |
| Matthew Myslinski | ... | production assistant |
Thanks
| Marc Alexander | ... | thanks |
| Matt Compton | ... | special thanks |
| Chad Nagle | ... | thanks |
| Mark Ruppert | ... | thanks |
| Paul Ruppert | ... | thanks |
| Johnathan Thorpe | ... | thanks |
| Jonathan Zuck | ... | thanks |
