An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only problem.
Greta is a young American woman who takes a job as a nanny in a remote English village, only to discover that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy, as a way to cope with the death of their actual son 20 years prior. After violating a list of strict rules, a series of disturbing and inexplicable events bring Greta's worst nightmare to life, leading her to believe that the doll is actually alive. Written by
Cello Concerto in E Minor, Op.85: IV. Allegro - Moderato - Allegro ma non troppo
Composed by Edward Elgar
Performed by Erling Blondal Bengtsson, Iceland Symphony Orchestra, Jean-Pierre Jacquillat See more »
Let's face it, dolls and poltergeists have been overdone in the past decades. It's always the same plot. However, it has NEVER been done like this. At first, it was a bit predictable. Nanny comes in, encounters creepy family, goes with the flow, experiences some disturbing shizz, still goes with the flow because continuity. There were some jumps that were nicely executed and it certainly kept the viewer interested. But movies like this usually head in one direction... This one, on the other hand, brought in something refreshing. I can honestly say I never saw the twist coming. There were very subtle hints, if any. Overall, it was above average yet unnerving. It wins a few points on creativity, so it's a 7.5. Rated it 9 to balance the score and encourage new opinions.
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