Cucumber

I really don't know what to think of "Cucumber". It's certainly gripping but it also left me rather uncomfortable and wondering what I was doing to myself. To give you a bit of context: I'm from the Manchester area and it took me until my early-to-mid 20s to buck up the courage to come out. In the past few years since then, I've encountered a variety of gay people. Some are scene- obsessed, others don't have anything to do with the scene. Some are intelligent, some are stupid. Some seek alternative lifestyles, some don't. Some are quite conservative regarding sex and relationships, others far from. The fact is that sexual orientation does not necessarily define one's lifestyle or personal beliefs, nor should anyone try to beg to differ.

Though not as sleazy as the earlier "Queer as Folk", "Cucumber" portrays a stereotypical world of gay people (particularly gay men) who are narcissists, sex-addicts and general sleaze-balls. True, these people exist, and perhaps it's good to see gay people who are broke and on the fringes of society instead of fabulous, perfect- bodied and super-successful people who live in penthouses in LA or Manhattan. For someone who doesn't want to be shoved in a category and only interact with people of my own sexual orientation, it's quite frankly insulting. I understand that it's meant to be an over- the-top comedy-drama series and that it shouldn't be taken as realistic, but the fact of the matter is that some less informed people may watch it and come to see it as how gay people act and live. Feel free to make up your own mind on the programme, but just be warned.

This show is widely criticized for its stereotypical portrayal of gay characters as over-sexed, immature, sleazy and shallow. I could not agree more - the main character (as well as almost everyone on the show) is unlikeable for exactly those reasons. Nevertheless, I feel that the show (just like any other morality tale, which Cucumber basically is) uses its anti-hero to convey a message that is, in its core, a warning. What we see throughout the show, are characters who are unable to truly bond and in a desperate calling for closeness (or is it regaining lost youth, at least for some?) chase after random sex. This chase usually leads them to pathetic begging or self-commodification which, in this fictional universe, is seen as something inescapable and "normal"( like in the subplot with the video- mogul nephew). In effect, their hunger to be loved (via sexual intercourse) leads one of the characters to his death, the other to a existence of vacuous survival and endless desire. The plight of the elder generation is mirrored in the story lines of the young (in Cucumber as well as in its spin- off, Banana), who don't even consider forming any kind of durable bond, let alone expressing any kind of basic human concern (as personified in the truly repulsive character of walking "emptiness behind a pretty face" Freddie.) What I see as emblematic scene of the show is when the protagonist suggests creating a 60'-style commune, only to be met with incomprehension and laughter. The sense of togetherness that once prevailed within the gay culture has been dismantled (is it because of the embracement by the majority culture?),the social interactions take place within a strictly competitive market. Or is it a battleground?

All of this might be lost on some due to the strong comic nature of the show, but to me, the light over-tone of the whole thing only makes the tragedy more approachable to general audience.

I loved this series. The only thing that was not convincing is that in the series Henry is 46 years old. Come on!!! No 46 year old man that takes good care of himself looks that old. Henry looks more like 56 than 46.

This is no "Queer as Folk", which had an actual story based around a set of main characters, who continuously evolved with the seasons. Of course, that ended abruptly in the UK and the US version became a bigger hit. Cucumber tried to do that but seemingly got hijacked along the way. There are many subplots, some of which come to fruition, others just fizzle out or are never mentioned again. The editing leaves much to be desired with scenes just stuck together in some random order. The dialog and sexual scenes are quite raw, and the depicted behavior of the Manchester scene does explain why this was/is a hard hit area for STIs etc. After a while, one does get bored with the story as it does not seem to follow a smooth trajectory. The final episode is a rush to bring the story arc to the end. It was OK, but not great....and could have been so much better!

It's refreshing to find anything these days that's centered around a mature gay man. It is totally relatable, in that the characters include a realistic range of ages, personalities, and cultural and life experiences. It's funny, it's relevant, it's true to life, and the plot takes many twists and turns, as well as some unexpected events. So happy to find a series, a movie, - anything - that has "grown up" and is past the self discovery, or coming out, phase of the gay male experience! The character of Henry is beautifully written, acted, and portrayed, as are all the main cast of characters. I loved it!