Directed by
| Gregory Crosbie | ... | (directed by) |
Writing Credits
| Gregory Crosbie | ... | (written by) |
Cast (in credits order)
| Sean Biggerstaff | ... | The Guard | |
| Struan Rodger | ... | The Curator | |
| John Bowler | ... | The Older Guard | |
 |
Aaron Jeffrey | ... | The Ghoul |
|
|
Mairead Whyte | ... | The Voice (voice) |
Produced by
| Rick Molland | ... | producer (produced by) |
Music by
| Alfredo Caponnetto | ... | (music) |
Cinematography by
| Philip Robertson | ... | director of photography |
Editing by
| Iain Miller | ||
Production Design by
| Daniel Newton | ... | (as Daniel Howard Newton) |
Art Direction by
| Bob Graham | ||
Costume Design by
| Anya Clifford | ||
Makeup Department
| Kayleigh Sutherland | ... | makeup and hair |
| Kristyan Mallett | ... | special makeup effects artist (uncredited) |
Production Management
| Oros Raluca | ... | production manager |
Second Unit Director or Assistant Director
| Sandy Harris | ... | first assistant director |
Art Department
| Gillian Argo | ... | scenic artist |
| Gemma Bowes | ... | construction team |
| Joao Carreira | ... | construction team |
| Tom Foottit | ... | contruction manager |
| John Hall | ... | construction team |
| Steven Jefferies | ... | newspaper restoration |
| Jonna Järvinen | ... | head scenic painter |
| Wayne Mazadza | ... | construction team |
| Lisa Meridian | ... | prop maker |
| Robin Richardson | ... | standy props |
| Sarah Sheard | ... | standy props |
| Charis Suddaby | ... | construction team |
| Alice Wilson | ... | scenic artist |
Sound Department
| Sarah Bassinger | ... | foley artist |
| Chris Campion | ... | production sound mixer |
| Paul Hartmann | ... | boom operator |
| Petros Tsaftaridis | ... | sound designer |
| Rob Walker | ... | dubbing mixer (as Robert Walker) |
Visual Effects by
| Emil Bachvarov | ... | visual effects |
| James John Perkins | ... | visual effects |
Camera and Electrical Department
| Robert Etherson | ... | grip |
| Pete Harper | ... | focus puller |
| Jane Massey | ... | production stills |
| Ben McKinstrie | ... | digital imaging technician |
| Grant McPhee | ... | digital imaging technician |
| Moritz Mössinger | ... | best boy |
| Ben Somerville | ... | gaffer |
| Mihail Ursu | ... | second camera assistant |
Editorial Department
| Michelle Cort | ... | colourist |
Script and Continuity Department
| Nathan Hollis | ... | script supervisor |
Additional Crew
| David Bradford | ... | runner |
| Mark Dyason | ... | runner |
| Steven Jefferies | ... | titles |
| Guillaume Quetel | ... | production assistant |
Thanks
| Peter Aitchison | ... | thanks to |
| Marc Campbell | ... | thanks to |
| James Crosbie | ... | thanks to |
| Thomas Dillon | ... | thanks to |
| Megan Green | ... | thanks to |
| Gary Hall | ... | thanks to |
| Sarah Harley | ... | thanks to |
| Faisal A. Qureshi | ... | thanks to |
| Tom Rogers | ... | thanks to |
| Karen Smyth | ... | thanks to |
| Oscar van Heek | ... | thanks to (as Oscar Van Heek) |
| Andi Vincent | ... | thanks to |
| Vadim Zapevalov | ... | thanks to |
