8.0/10
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Lion (2016)

PG-13 | | Drama | 6 January 2017 (USA)
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In 11 theaters near Ashburn VA US [change]

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

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Writers:

(adapted from the book "A Long Way Home" by), (screenplay)
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27 ( 26)
Nominated for 4 Golden Globes. Another 22 wins & 56 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Guddu
...
Kamla
Khushi Solanki ...
Young Shekila
Shankar Nisode ...
Shankar
...
Noor
...
Rawa
Riddhi Sen ...
Café Man
...
Police Official
Rita Boy ...
Amita
Udayshankar Pal ...
Liluah Teacher (as Uday Shankar Paul)
Surojit Das ...
Shonedeep / Haunted Boy
...
Mrs. Sood
...
Swarmina
...
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Storyline

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

Plot Summary | Plot Synopsis

Taglines:

The true story of a life lost and found See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material and some sensuality. | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 January 2017 (USA)  »

Also Known As:

A Long Way Home  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$123,360 (USA) (25 November 2016)

Gross:

$9,866,152 (USA) (6 January 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The classic song "Come Closer" from Kasam Paida Karne Wale Ki, is featured in the film. The song appears when Noor is feeding Saroo at the dinner table. See more »

Connections

Featured in The 74th Golden Globe Awards (2017) See more »

Soundtracks

Never Give Up
Performed by Sia
Produced by Greg Kurstin
(P) 2016 The Weinstein Company, LLC, under exclusive license to Sony Music Entertainment
See more »

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User Reviews

 
An immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. Best Aussie film of the year.
22 December 2016 | by (Sydney) – See all my reviews

If film-art is the pursuit of visual pleasure, powerful storytelling and high emotional impact, then Lion (2016) is the year's high-water mark for Australian productions. Based on the novel A Long Way Home (2014), this film adaptation is a richly textured essay on the primal human need for belonging that will resonate with anyone who has ever wondered who they are.

This true story is told in two parts and filmed across two continents. Five year-old Saroo is a ragamuffin sidekick to his older brother Guddo, two poor boys who support their family by stealing coal and scavenging trains in their West Bengal village. They become separated one night and Saroo finds himself alone on a train heading to the other side of India. He he joins hordes of homeless children who must fend off predators while begging to survive. Eventually he is placed in a crowded orphanage, then adopted by two big-hearted and childless Tasmanians, Sue (Nicole Kidman) and John (David Wenham). Twenty years on, Saroo (Dev Patel) begins to have memory flashbacks of his native land. As they increase in intensity, he becomes obsessed with finding his family. With some luck and Google maps, the story comes full circle.

There is so much that makes this film stand out. The storytelling is more than engaging: it is so captivating that the two-hour run-time feels like an hour. Acting performances are outstanding: Nicole Kidman is at her best while the five year-old Saroo (Sunny Pawar) is the heart of the film and Dev Patel its soul. The cinematography is brilliant, especially the filming in India. The camera-work is both expansive and intimate, shifting often from sweeping aerial panoramas of mountainous Indian countryside and tranquil Tasmanian waterways to narrow winding alleys, village markets, and the inner-world of Saroo's turmoil. Some of the most powerful scenes are shot from the eye-level of a terrified lost boy jostled by masses of humanity and the close-ups of Saroo's painful face desperate to know home. The colour palette is exotic, sound track emotionally intense, and the directing finds a rhythm that is almost orchestral.

This film offers an immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. It comes at the end of a very mixed year for Australian film, with some of the world's finest produced but many that are less than inspiring. Lion is one of those films that will appeal to everyone and it has a very long after-taste. It easily tops my film year.


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My one issue with the film (possible goof) kolyand
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