A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.
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In 1986, Saroo was a five-year-old child in India of a poor but happy rural family. On a trip with his brother, Saroo soon finds himself alone and trapped in a moving decommissioned passenger train that takes him to Calcutta, 1500 miles away from home. Now totally lost in an alien urban environment and too young to identify either himself or his home to the authorities, Saroo struggles to survive as a street child until he is sent to an orphanage. Soon, Saroo is selected to be adopted by the Brierley family in Tasmania, where he grows up in a loving, prosperous home. However, for all his material good fortune, Saroo finds himself plagued by his memories of his lost family in his adulthood and tries to search for them even as his guilt drives him to hide this quest from his adoptive parents and his girlfriend. Only when he has an epiphany does he realize not only the answers he needs, but also the steadfast love that he has always had with all his loved ones in both worlds. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In 1987 when Saroo first arrives in Hobart, Australia on the journey home whilst he is looking out the window an image of a white 4WD with a red boat attached is shown. The car is an 80 series Toyota Land Cruiser. The 80 Series Land Cruiser did not begin production until 1990, three years after the supposed date. See more »
[discussing how to find Saroo's family]
What paper trail?
My mum could not read or write.
What did she do?
A labourer... she carried rocks.
See more »
After the final credits, there's an earlier shot with the boys on the train tunnel and the credits "In loving memory of Guddu". See more »
An immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. Best Aussie film of the year.
If film-art is the pursuit of visual pleasure, powerful storytelling and high emotional impact, then Lion (2016) is the year's high-water mark for Australian productions. Based on the novel A Long Way Home (2014), this film adaptation is a richly textured essay on the primal human need for belonging that will resonate with anyone who has ever wondered who they are.
This true story is told in two parts and filmed across two continents. Five year-old Saroo is a ragamuffin sidekick to his older brother Guddo, two poor boys who support their family by stealing coal and scavenging trains in their West Bengal village. They become separated one night and Saroo finds himself alone on a train heading to the other side of India. He he joins hordes of homeless children who must fend off predators while begging to survive. Eventually he is placed in a crowded orphanage, then adopted by two big-hearted and childless Tasmanians, Sue (Nicole Kidman) and John (David Wenham). Twenty years on, Saroo (Dev Patel) begins to have memory flashbacks of his native land. As they increase in intensity, he becomes obsessed with finding his family. With some luck and Google maps, the story comes full circle.
There is so much that makes this film stand out. The storytelling is more than engaging: it is so captivating that the two-hour run-time feels like an hour. Acting performances are outstanding: Nicole Kidman is at her best while the five year-old Saroo (Sunny Pawar) is the heart of the film and Dev Patel its soul. The cinematography is brilliant, especially the filming in India. The camera-work is both expansive and intimate, shifting often from sweeping aerial panoramas of mountainous Indian countryside and tranquil Tasmanian waterways to narrow winding alleys, village markets, and the inner-world of Saroo's turmoil. Some of the most powerful scenes are shot from the eye-level of a terrified lost boy jostled by masses of humanity and the close-ups of Saroo's painful face desperate to know home. The colour palette is exotic, sound track emotionally intense, and the directing finds a rhythm that is almost orchestral.
This film offers an immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. It comes at the end of a very mixed year for Australian film, with some of the world's finest produced but many that are less than inspiring. Lion is one of those films that will appeal to everyone and it has a very long after-taste. It easily tops my film year.
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