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Paper Towns (2015)

PG-13 | | Drama, Mystery, Romance | 24 July 2015 (USA)
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After an all night adventure, Quentin's life-long crush, Margo, disappears, leaving behind clues that Quentin and his friends follow on the journey of a lifetime.

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3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ben
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Jase
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Becca
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Chuck
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Mrs. Spiegelman
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Mr. Spiegelman
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Storyline

Adapted from the bestselling novel by author John Green, PAPER TOWNS is a coming-of-age story centering on Quentin and his enigmatic neighbor Margo, who loved mysteries so much she became one. After taking him on an all-night adventure through their hometown, Margo suddenly disappears - leaving behind cryptic clues for Quentin to decipher. The search leads Quentin and his quick-witted friends on an exhilarating adventure that is equal parts hilarious and moving. Ultimately, to track down Margo, Quentin must find a deeper understanding of true friendship - and true love. Written by 20th Century Fox

Plot Summary | Plot Synopsis

Taglines:

The town was paper, but the memories were not See more »

Genres:

Drama | Mystery | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some language, drinking, sexuality and partial nudity - all involving teens | See all certifications »

Parents Guide:

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Details

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Release Date:

24 July 2015 (USA)  »

Also Known As:

Ciudades de papel  »

Filming Locations:

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$12,650,140 (USA) (24 July 2015)

Gross:

$31,990,064 (USA) (9 October 2015)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cara Delevingne's reaction to finding out she got cast was quite emotional, "I was actually by myself, which was a bit sad," Cara discusses. "I was in a hotel room, getting ready for work and I got a call," she continues. "I just started crying. It was too much." Afterwards, after the news sank in, she excitedly tweeted,'Thank you so much guys!! I am so excited! Ahhhh! X' See more »

Goofs

In the beginning of the movie, it shows flashbacks of Margo crawling out her bedroom window and Quentin seeing her from his; the houses were next to each other by the way the windows were facing. Later in the movie, we see Margo go to her house which is now across the street from Quentin's. See more »

Quotes

Quentin Jacobsen: And for Margo? I heard someone say she was in the resurrection of a play on Broadway. I heard another person say She was giving surfing lessons off the coast of the Bahamas. But I stopped listening to those stories. Because whatever Margo is doing, wherever she is now, I'm sure it's something special. But hey... That's her story to tell.
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Connections

References Cosmos: A Spacetime Odyssey (2014) See more »

Soundtracks

BE MINE
Written by Alice Boman (as Alice Maria Boman) and Tom Malmros
Performed by Alice Boman
Courtesy of The Control Group
By arrangement with Extension Music & Beggars Group
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Frequently Asked Questions

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User Reviews

 
Maybe I'm just getting old...
31 July 2015 | by (Panama City, Florida, United States) – See all my reviews

Maybe I'm getting old. These over-serious, platitude-filled teen dramas used to only mildly annoy me. Now, with Paper Towns, I feel myself getting irrationally angry at its desperate plea to be this generation's The Breakfast Club. From where is that resentment coming? Maybe it's that I'm a 30-year-old married-father who's not meant to like this movie. Maybe it's that I'm coming off the high of the teen drama Me and Earl and the Dying Girl. Whatever it is, Paper Towns irritated much more than it charmed. The premise has potential: nerd spends one magically frivolous night with the enigmatic girl of his dreams, Margot, before she inexplicably disappears. Instead of being unique, stylish, or progressive, it becomes the lament of the rich-white-teen and the manic pixie dream girl. Our "hero" is drawn to her magnetic mystery, but that appeal never reaches the audience. At times, she represents an idea more than a character, but mostly she's an unbearably selfish, manipulative shrew, using her womanly wiles to get whatever she needs. When she's off-screen, the interplay between the friends is watchable, but her bothersome presence is never far away. Worst yet, in the end PT never takes a stance on Margot, like the movie is trying to have its cake and eat it too. Stylistically, the movie is forcefully quirky, annoyingly cutesy, and boasts a soundtrack that's like someone pushed the "hipster" button on a Casio Keyboard. We can only blame director Schreier, whose previous film was the under-seen Robot and Frank. Just stay home and watch that, a story about a machine with more humanity than anyone in PT.


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