Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Sandra, a young Belgian mother, discovers that her workmates have opted for a significant pay bonus, in exchange for her dismissal. She has only one weekend to convince her colleagues to give up their bonuses so that she can keep her job.
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Forty-six year old Diane Després - "Die" - has been widowed for three years. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. However, with this deinstitutionalization, she has to take care of him ... Written by
Five months ago, I had no idea who Xavier Dolan was. Now, after watching 'Mommy', I have no hesitation in saying that he's one of most talented artists to have come into prominence in the past few years.
What director and writer Xavier Dolan, who is 25, achieves with 'Mommy' is quite spectacular. Not only does he manage to impress with top-notch directorial skills and an impressive and complex understanding of human relationships, but he has successfully accomplished the ultimate goal of a filmmaker: transmitting emotions -- pure, unaltered feelings.
I was never a supporter of the idea of re-watching films; I thought that by re-watching a movie, you would lose precious time that could have been used to watch a potentially even better film. However, 'Mommy' has completely destroyed this concept for me. Leaving the cinema room, I had a sense of restlessness that went away only after watching it for the second time. And guess what? The feelings the film transmitted remained as fresh and relevant as they were the first time.
There are a myriad of aspects that are worth discussing when referring to this film: the fabulous actors, the impressive use of music, the clever use of colors, the numerous jaw-dropping cinematography-related details and the variety of raw feelings 'Mommy' explores. But, by analyzing each of these aspects in detail, you may risk to experience a film whose surprises will not be as poignant as they would be by discovering them yourself.
I can safely say that 'Mommy' left an indelible mark on me. Its honesty, the beauty it exudes and its life-affirming tone make for an enthralling chef d'oeuvre that will undoubtedly have a certain effect on whoever decides to watch it.
To sum up, 'Mommy' manages to do what an important piece of art does: communicate authentic feelings. And, for this, I am grateful. Bravo, Dolan!
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