60
Metascore
7 reviews · Provided by Metacritic.com
- 75Slant MagazineChuck BowenSlant MagazineChuck BowenWhen Bo Mikkelsen springs his traditional yet cathartic climax, it's earned because the violence matters truly as violation.
- 70Los Angeles TimesNoel MurrayLos Angeles TimesNoel MurrayFans of blood and guts won’t find what they’re looking for here (until the final 10 minutes, that is); but serious-minded genre fans should feel satisfied.
- 70The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisWhat We Become is a very pretty movie with a very dark heart. The payoff is brutal, but earned.
- 63RogerEbert.comBrian TallericoRogerEbert.comBrian TallericoThere are large chunks of What We Become that feel like something we’ve seen before, a repeat of the AMC series perhaps, and just when it’s getting interesting, it ends, almost like it’s a pilot for a new series.
- 60The GuardianJordan HoffmanThe GuardianJordan HoffmanIt’s the same low-budget horror flick you’ve seen many times before, but it’s nice to see some local variants on a familiar theme.
- 50Village VoiceRob StaegerVillage VoiceRob StaegerUndead fare has to break new ground to stand out from the ravenous crowd, something What We Become never attempts. What might have been the best zombie movie of 2004 can't help looking a little sickly in 2016.
- 50The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeThe movie never really achieves the claustrophobic, under-siege atmosphere of Night of the Living Dead. And it's kind of a good thing we're not trapped with this family, since, despite some fine acting by Mille Dinesen (as Gustav's mom) and others, Mikkelsen's script offers too little character development to keep us interested in them.