Below you will find our total coverage of the 2014 Toronto International Film Festival, including a round up on experimental short films, reviews, and the festival-spanning dialog between our two main critics at Tiff. More interviews will be added to the index as they are published.
Correspondences
Between Fernando F. Croce and Daniel Kasman
#1
Fernando F. Croce on Pedro Costa's Horse Money, Lisandro Alonso's Jauja, and Olivier Assayas' Clouds of Sils Maria
#2
Daniel Kasman on Pedro Costa's Horse Money, Peter Ho-Sun Chan's Dearest, Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence, Takashi Miike's Over Your Dead Body, and Sono Sion's Tokyo Tribe
#3
Fernando F. Croce on Sono Sion's Tokyo Tribe, Jessica Hausner's Amour Fou, Johnnie To's Don't Go Breaking My Heart 2, and Abel Ferrara's Pasolini
#4
Daniel Kasman on Alexandre Larose's brouillard passage #14, Friedl vom Gröller's...
Correspondences
Between Fernando F. Croce and Daniel Kasman
#1
Fernando F. Croce on Pedro Costa's Horse Money, Lisandro Alonso's Jauja, and Olivier Assayas' Clouds of Sils Maria
#2
Daniel Kasman on Pedro Costa's Horse Money, Peter Ho-Sun Chan's Dearest, Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence, Takashi Miike's Over Your Dead Body, and Sono Sion's Tokyo Tribe
#3
Fernando F. Croce on Sono Sion's Tokyo Tribe, Jessica Hausner's Amour Fou, Johnnie To's Don't Go Breaking My Heart 2, and Abel Ferrara's Pasolini
#4
Daniel Kasman on Alexandre Larose's brouillard passage #14, Friedl vom Gröller's...
- 9/16/2014
- by Notebook
- MUBI
Alleluia
Dear Fern,
Aye!—you make my festival experience sound like a superhuman toil! If anything, I'm seeing less than you, as you get the pleasures of catching up with the crème de la crème of Cannes. It seems like I see a lot because I'm often reporting on a slew of shorts, but remember, the Wavelengths shorts programs so central to my (any many others') Tiff experience are only four strong, over nearly as soon as they start, the Monday after the festival's opening night. Don't you see what I'm actually doing here? I'm luxuriating in your taking the pressure off me, handling all the much anticipated films by the big auteurs while I get to relax, scribbling notes in the margin about the smaller movies: you make my life easier! That being said, there are still some major films I need to tell you about, to begin wrapping the festival experience up.
Dear Fern,
Aye!—you make my festival experience sound like a superhuman toil! If anything, I'm seeing less than you, as you get the pleasures of catching up with the crème de la crème of Cannes. It seems like I see a lot because I'm often reporting on a slew of shorts, but remember, the Wavelengths shorts programs so central to my (any many others') Tiff experience are only four strong, over nearly as soon as they start, the Monday after the festival's opening night. Don't you see what I'm actually doing here? I'm luxuriating in your taking the pressure off me, handling all the much anticipated films by the big auteurs while I get to relax, scribbling notes in the margin about the smaller movies: you make my life easier! That being said, there are still some major films I need to tell you about, to begin wrapping the festival experience up.
- 9/15/2014
- by Daniel Kasman
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.