Writer Emily V. Gordon stops by to talk about The Big Sick. Plus, we highlight the best movies and TV of 2017 and reveal how to binge-watch like a pro.
This week on "The Grand Tour," Jeremy Clarkson makes his own take on a Ken Block-style car skidding video, James May tests the new VW Up GTI at the Eboladrome, and Richard Hammond smashes around Dubai in a high-powered tank called the Ripsaw. The new episode is available Friday, Jan. 5, on Prime Video.
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
A frontiersman on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.
The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.
An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
A woman rebels against a tyrannical ruler in postapocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max.
Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all... Written by
Jordan Crighton
Quentin Tarantino announced at Comic-Con in 2015 that Ennio Morricone would compose the score for the film. Tarantino remarked that it would be the first western scored by Morricone in forty years. He had previously used Morricone's music in Kill Bill: Vol. 2 (2004), Death Proof (2007), Inglourious Basterds (2009), and Django Unchained (2012). Morricone also wrote a brand-new song, "Ancora Qui", for the latter. Despite stories of tensions between the two, Tarantino decided to have Morricone on-board to compose original music for the movie, making it the first film by Tarantino to use mainly an original musical score. Most of his previous films have used mainly source music, with only a few cues of original score. See more »
Goofs
About 36 minutes in when Ruth's stagecoach first pulls up to Minnie's Haberdashery, Bob comes out to greet them. As he exits the haberdashery, the door closes firmly behind him with the pronounced audible "click" of a latch and stays closed. However, at this point the door had supposedly already been broken and should have required nails to stay closed. See more »
Quotes
[first lines]
Major Marquis Warren:
[looks up coolly as a stagecoach pulled by horses approaches]
Got room for one more?
See more »
Crazy Credits
The roadshow version of the film opens with a faux-vintage Weinstein Company logo, in flat white-on-blue with a very 70s font along with a "Cinerama" logo. The first few credits appear in the same font as the logo's before switching to Tarantino's usual Friz Quadrata. The standard release opens with only the normal Weinstein Company logo before going directly into the sweeping Panavision shots. See more »
Even tho i was expecting more action, I've found myself at the edge of my seat at times. The characters were nicely developed. The dialogue was as expected from a Tarantino movie. The story is 3 hours long, it takes place mostly in a one single room and it's still not boring. That's something not everyone can do. All of the actors we're perfect for their roles and the acting was great as well as the character design, all of the characters were memorable and well written. The movie is divided into chapters in most of which a small twist takes place that makes you more interested in the movie. I enjoyed the film but my biggest flaws were the length and the spontaneous introduction of a narrator mid- movie, that was a pretty 'out of nowhere' lazy way to develop the back story, but oh well, Tarantino is known for making risks and doing crazy sh*t
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Even tho i was expecting more action, I've found myself at the edge of my seat at times. The characters were nicely developed. The dialogue was as expected from a Tarantino movie. The story is 3 hours long, it takes place mostly in a one single room and it's still not boring. That's something not everyone can do. All of the actors we're perfect for their roles and the acting was great as well as the character design, all of the characters were memorable and well written. The movie is divided into chapters in most of which a small twist takes place that makes you more interested in the movie. I enjoyed the film but my biggest flaws were the length and the spontaneous introduction of a narrator mid- movie, that was a pretty 'out of nowhere' lazy way to develop the back story, but oh well, Tarantino is known for making risks and doing crazy sh*t