Executive producer Dave Erickson tells IMDb what fans can learn from the new Season 1 Special Edition DVD commentary and serves up some key tidbits about Season 2.
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A frontiersman on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.
Four denizens in the world of high-finance predict the credit and housing bubble collapse of the mid-2000s, and decide to take on the big banks for their greed and lack of foresight.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
A woman rebels against a tyrannical ruler in postapocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max.
The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.
Director:
Tom McCarthy
Stars:
Mark Ruffalo,
Michael Keaton,
Rachel McAdams
The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
Director:
Ryan Coogler
Stars:
Michael B. Jordan,
Sylvester Stallone,
Tessa Thompson
During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
A kidnapped mother and son make a daring escape, and experience a dramatic homecoming provoking a look into the power of imagination and the unstoppable force of a mother's love.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all... Written by
Jordan Crighton
Quentin Tarantino announced in a Deadline interview that he would not be making the film next after the script leaked online, saying that he has '10 more' projects to pick from instead. See more »
Goofs
Jennifer Jason Leigh's character Daisy Domergue has rotten teeth at the beginning of the film (visible when she grins, after being kicked in the head by John the Hangman). They become white and healthy as Daisy is chewing beef jerky in the carriage. At the end, they're broken (although this could be part of the character - she's suffered a lot of beatings in this movie). See more »
Quotes
[first lines]
Major Marquis Warren:
[looks up coolly as a stagecoach pulled by horses approaches]
Got room for one more?
See more »
Crazy Credits
The roadshow version of the film opens with a faux-vintage Weinstein Company logo, in flat white-on-blue with a very 70s font along with a "Cinerama" logo. The first few credits appear in the same font as the logo's before switching to Tarantino's usual Friz Quadrata. The standard release opens with only the normal Weinstein Company logo before going directly into the sweeping Panavision shots. See more »
Before I begin my review, I'd like to emphasise that there are two different versions of Quentin Tarantino's eighth film, the 70mm print which runs for 187 minutes including an overture and intermission, and the 168 minute version I saw which has been released in digital cinemas. Now, on with the review!
Quentin Tarantino burst on to the scene with 1992's "Reservoir Dogs". Since his debut effort, he has made only seven other movies over a 22 year period and he insists that he will no longer direct after his tenth film. He has made some excellent films in that time including one of my favourites of 2012, "Django Unchained", and 1994's brilliant "Pulp Fiction". If you are familiar with his movies then you'll know that he includes terrific, often witty dialogue, and violence that can be stomach-churning. He's at it again with The Hateful Eight, especially with the violence, but not so much with the dialogue which isn't as biting as some of his other scripts, possibly because it loses its impact over such a long running time. In fact this is Tarantino's longest ever movie.
Major Marquis Warren (Samuel L. Jackson) is a bounty hunter whose progress has been halted by the blizzard-like conditions. He comes across another bounty hunter in John Ruth (Kurt Russell) who is travelling in a stagecoach with a criminal he has captured, Daisy Domergue (Jennifer Jason Leigh). Discovering that Ruth is heading in the same direction as himself, Warren asks Ruth if he can place his captured fugitives on top of the stagecoach to collect his bounty at Red Rock. Along the way, they meet up with the new sheriff of Red Rock, Chris Mannix (Walter Goggins). Before they arrive at Red Rock, they stop over at Minnie's Haberdashery, which is being patronised by an assortment of characters including Englishman Oswaldo Mobray (Tim Roth), Joe Gage (Michael Madsen), General Sandy Smithers (Bruce Dern) and Bob (Demián Bichir).
Most of the film is set inside the haberdashery which promotes a claustrophobic feeling and with the amount of dialogue that takes place, it occasionally lends itself to a theatrical setting. When the outdoor locations are used, the grandeur of the snow-filled landscape provides a sense of remoteness. Both the interiors and exteriors generate the tension that Tarantino's script doesn't always display. There are moments of intensity that are interrupted by a throwaway line. It is a sprawling story that meanders at times so an edit of about half an hour would have resulted in a tighter, more efficient production.
The acting is solid with spectacular moments provided by Jennifer Jason Leigh in particular. It's no surprise she has ended up with an Oscar nomination for her gritty performance. Jackson overacts at times with his grandstanding speeches but he is rather renowned for those in many of his movies. It's fantastic to see Russell in a different type of performance where he isn't embraced by the audience. In fact, the nature of many of the scenes makes it difficult for the viewer to embrace any of the characters so this may affect your opinion of the movie. If you are offended by women being beaten, men engaging in forced oral sex and innocent people being killed, then you will be turned off by several aspects of the story.
At the tender age of 87, Ennio Morricone composes the brilliant score which features his renowned violins and brass. He brilliantly captures the tension of the story and the score is reminiscent of his spaghetti western days. Perhaps that's why Tarantino decided to go with Morricone as this is rather like a western but if you are seeking end-to-end action you will be disappointed. This is more of a character piece with a mystery thrown in. Tarantino may have included too much but you cannot blame him for trying something different. He even includes himself as the narrator in the second half of the film but this was unnecessary and distracting. He is an exciting filmmaker and even if not everything works, he makes sure you have something to think about.
The violent bloodbath and the scene where one character is forced at gunpoint to perform fellatio have resulted in an R rating in Australia. Surely this is enough warning for people who are easily offended not to even bother seeing the movie. However, if you do not see "The Hateful Eight", you will be missing an intriguing, although slightly meandering film. It will be shame when Tarantino retires from writing and directing for he has provided some innovative and entertaining films in his time. http://mlaimlai2.wix.com/magical-movie-review
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Before I begin my review, I'd like to emphasise that there are two different versions of Quentin Tarantino's eighth film, the 70mm print which runs for 187 minutes including an overture and intermission, and the 168 minute version I saw which has been released in digital cinemas. Now, on with the review!
Quentin Tarantino burst on to the scene with 1992's "Reservoir Dogs". Since his debut effort, he has made only seven other movies over a 22 year period and he insists that he will no longer direct after his tenth film. He has made some excellent films in that time including one of my favourites of 2012, "Django Unchained", and 1994's brilliant "Pulp Fiction". If you are familiar with his movies then you'll know that he includes terrific, often witty dialogue, and violence that can be stomach-churning. He's at it again with The Hateful Eight, especially with the violence, but not so much with the dialogue which isn't as biting as some of his other scripts, possibly because it loses its impact over such a long running time. In fact this is Tarantino's longest ever movie.
Major Marquis Warren (Samuel L. Jackson) is a bounty hunter whose progress has been halted by the blizzard-like conditions. He comes across another bounty hunter in John Ruth (Kurt Russell) who is travelling in a stagecoach with a criminal he has captured, Daisy Domergue (Jennifer Jason Leigh). Discovering that Ruth is heading in the same direction as himself, Warren asks Ruth if he can place his captured fugitives on top of the stagecoach to collect his bounty at Red Rock. Along the way, they meet up with the new sheriff of Red Rock, Chris Mannix (Walter Goggins). Before they arrive at Red Rock, they stop over at Minnie's Haberdashery, which is being patronised by an assortment of characters including Englishman Oswaldo Mobray (Tim Roth), Joe Gage (Michael Madsen), General Sandy Smithers (Bruce Dern) and Bob (Demián Bichir).
Most of the film is set inside the haberdashery which promotes a claustrophobic feeling and with the amount of dialogue that takes place, it occasionally lends itself to a theatrical setting. When the outdoor locations are used, the grandeur of the snow-filled landscape provides a sense of remoteness. Both the interiors and exteriors generate the tension that Tarantino's script doesn't always display. There are moments of intensity that are interrupted by a throwaway line. It is a sprawling story that meanders at times so an edit of about half an hour would have resulted in a tighter, more efficient production.
The acting is solid with spectacular moments provided by Jennifer Jason Leigh in particular. It's no surprise she has ended up with an Oscar nomination for her gritty performance. Jackson overacts at times with his grandstanding speeches but he is rather renowned for those in many of his movies. It's fantastic to see Russell in a different type of performance where he isn't embraced by the audience. In fact, the nature of many of the scenes makes it difficult for the viewer to embrace any of the characters so this may affect your opinion of the movie. If you are offended by women being beaten, men engaging in forced oral sex and innocent people being killed, then you will be turned off by several aspects of the story.
At the tender age of 87, Ennio Morricone composes the brilliant score which features his renowned violins and brass. He brilliantly captures the tension of the story and the score is reminiscent of his spaghetti western days. Perhaps that's why Tarantino decided to go with Morricone as this is rather like a western but if you are seeking end-to-end action you will be disappointed. This is more of a character piece with a mystery thrown in. Tarantino may have included too much but you cannot blame him for trying something different. He even includes himself as the narrator in the second half of the film but this was unnecessary and distracting. He is an exciting filmmaker and even if not everything works, he makes sure you have something to think about.
The violent bloodbath and the scene where one character is forced at gunpoint to perform fellatio have resulted in an R rating in Australia. Surely this is enough warning for people who are easily offended not to even bother seeing the movie. However, if you do not see "The Hateful Eight", you will be missing an intriguing, although slightly meandering film. It will be shame when Tarantino retires from writing and directing for he has provided some innovative and entertaining films in his time. http://mlaimlai2.wix.com/magical-movie-review