Directed by
| Ellen Goosenberg Kent | ||
Produced by
| Jacqueline Glover | ... | supervising producer |
| Sheila Nevins | ... | executive producer |
| Dana Heinz Perry | ... | producer (as Dana Perry) |
Music by
| Wendy Blackstone | ||
Cinematography by
| Tony Hardmon | ||
Editing by
| Geof Bartz | ||
| Gladys Murphy | ... | co-editor |
Production Management
| Rob Forlenza | ... | post-production manager |
Sound Department
| Ken Hahn | ... | re-recording mixer / supervising sound editor |
| Peter Miller | ... | sound recordist |
| James David Redding III | ... | sound effects editor |
Camera and Electrical Department
| Timothy Brown | ... | assistant camera |
| Daniel Carter | ... | camera operator |
| Chapin Hall | ... | assistant camera |
| Timothy Limner | ... | gaffer |
| Matt Porwoll | ... | camera operator |
Editorial Department
| Phillip Chalmers | ... | on-line editor |
| Jon Fordham | ... | colorist |
Additional Crew
| Julie Begey Seureau | ... | production assistant |
| Jerry Heer | ... | media management |
| Adam J. Segal | ... | publicist |
| Sascha Weiss | ... | production coordinator |
Thanks
| Debi Bevins | ... | special thanks |
| Victoria Bridges | ... | special thanks |
| Jason Hansman | ... | special thanks |
| Maggie LaRocca | ... | special thanks |
| Christine McGuire | ... | special thanks (as Christine A. Pons) / special thanks: Christine Pons |
| Lori Shinseki | ... | special thanks |
| Gary Tallman | ... | special thanks |
