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Timbuktu (2014)

PG-13 | | Drama | 10 December 2014 (France)
1:54 | Trailer

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A cattle herder and his family who reside in the dunes of Timbuktu find their quiet lives -- which are typically free of the Jihadists determined to control their faith -- abruptly disturbed.


(screenplay), (screenplay)
Nominated for 1 Oscar. Another 24 wins & 17 nominations. See more awards »



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Cast overview, first billed only:
Ibrahim Ahmed ...
Kidane (as Ibrahim Ahmed dit Pino)
Toulou Kiki ...
Layla Walet Mohamed ...
Mehdi A.G. Mohamed ...
Hichem Yacoubi ...
Kettly Noël ...
La chanteuse
Adel Mahmoud Cherif ...
Salem Dendou ...
Le chef djihadiste
Mamby Kamissoko ...
Yoro Diakité ...
Cheik A.G. Emakni ...
Zikra Oualet Moussa ...
Weli Cleib ...


Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly. Written by Anonymous

Plot Summary | Add Synopsis



Motion Picture Rating (MPAA)

Rated PG-13 for some violence and thematic elements | See all certifications »

Parents Guide:





Release Date:

10 December 2014 (France)  »

Also Known As:

Timbuktú  »

Filming Locations:


Box Office

Opening Weekend:

$78,544 (USA) (6 February 2015)


$1,067,000 (USA) (1 May 2015)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Dolby 5.1)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Official submission of Mauritania to the best foreign language film category of the 87th Academy Awards 2015. See more »


Omar: Satima?
Satima: I'm listening.
Omar: I'm Abdelkarim's driver. I have a message from him: "He can't do anything to help. It's over".
See more »


Featured in The Oscars (2015) See more »

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User Reviews

A remarkable study in repression set amidst stunning beauty.
21 February 2015 | by (United States) – See all my reviews

"Let me say this loud and clear. There is a world of difference between terrorist acts and the Islamic Shari'a. Islam is not only a religion, but a way of life. And at its heart lie the sacred principles of tolerance and dialogue." King Hussein I

A popular cliché is to refer to "Timbuktu" as the farthest, out-of-it-all place on earth, like "You can go to Timbuktu for all I care." However, in writer/ director Abderrahmane Sissako's remarkable film, Timbuktu, the world rests in miniature in the sand dunes of gorgeous Mali, where a Bedouin family can languish in the shade of their tent while a small boy herds their cattle and nearby fishmongers ply their trade by a welcoming pond. It is a world seemingly removed from stress, a paradise.

In the cell-phone age, no one is too far away and paradise easily shattered, as the natives use their phones to coordinate their herds and their lives. So do the Muslim jihadists, who use their phones to control the natives, bending them to their will on such mundane matters as wearing gloves and playing music. In a way, the low-key policing by the jihadists employing Shari'a seems to contrast with the notorious ISIS, whose control extends to burning and beheading.

All is relatively tame until one Bedouin's pregnant cow is killed by a fishmonger, and the herder murders in revenge. The Long-distance wide-angle shot of the two men in a death struggle is remarkably beautiful and ominous, like David Lean's memorable Lawrence of Arabia scenes.

The local jihadist authority follows God's law in this case while it takes a woman into custody for not wearing gloves and carries out murderous punishment on musicians. This tranquil paradise slowly becomes a hotbed of repression while the director still shoots lovely scenes that belie the suppression already reaching into the lives that seemed so far removed.

Underneath the obvious meting out of "justice" is the subjugation of women, almost as if radical Muslim orthodoxy had this prejudice as its cornerstone. This film drives that oppression home as few others have done because it makes it a quiet but persistent issue in daily activity. The very peacefulness of the living in Mali and the sweet sparseness of the mise en scene could almost make us think the radicalism is acceptable. But when you see men buried in sand and rocks thrown at their heads, you know life in the sand in not romantic.

Timbuktu is rated PG-13, a triumph in good taste as murder and subjugation are the dominant activities. A film that allows young persons to see the world's injustices through a beautiful lens is a film worth sharing in the hope of removing radical Islamists from paradise. Let them have their virgins and soon.

16 of 19 people found this review helpful.  Was this review helpful to you?

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Made me mad for simplifying and exploiting the subject. Hut_Syndrom
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Did they really kill the cow (GPS)? lalo_greiner
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Won the César (French Academy Award) for Best Picture in 2015 sakune2
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