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Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle... See full summary »

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(scenario), (scenario) | 3 more credits »
4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Alice
...
Walid dit Wilson
...
Manu
Isaka Sawadogo ...
Jonas Karanoto (as Issaka Sawadogo)
Hélène Vincent ...
Marcelle
Youngar Fall ...
L'oncle Lamouna
Christiane Millet ...
Madeleine
Jacqueline Jehanneuf ...
Maggy
...
Magali dite Gracieuse
Sabine Pakora ...
Gracieuse - la gérante du salon
Clotilde Mollet ...
Josiane - de l'agence d'intérim
Boubacar Ndiaye ...
Un migrant à l'association
Oumar Makalou ...
Un migrant à l'association
Roukiata Ouedraogo ...
Un migrant à l'association
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Storyline

Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Written by Toronto International Film Festival

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Release Date:

15 October 2014 (France)  »

Also Known As:

Hayatimin Sansi  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$39,041 (USA) (31 July 2015)

Gross:

$149,805 (USA) (21 August 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Swiss censorship certificate # 1010.59. See more »

Quotes

Alice: Ni le début d'abus.
See more »


Soundtracks

Take it Easy My Brother Charles
Written by Jorge Ben Jor (as Jorge Ben)
Performed by Jorge Ben Jor (as Jorge Ben)
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User Reviews

 
Maybe too light-hearted
30 July 2015 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. Co-directors Olivier Narache and Eric Toledano delivered one of the best movies of 2012 with The Intouchables, and reunite to adapt a novel from Delphine Coulin. It's another "odd couple" story, this time focusing on Samba (Omar Sy) and Alice (Charlotte Gainsbourg). The familiar blend of drama and comedy is present, and the French immigration process takes a few shots.

Omar Sy exploded on the scene in The Intouchables and again proves what a tremendous screen presence he has. However this time his turn is mostly dramatic, while the bulk of the comedy arrives courtesy of his friend Wilson (played by Tahar Rahim from A Prophet). Ten years ago, Samba immigrated to France from Senegal, and has been sending money home ever since. A police incident leaves Samba in danger of being deported, and he receives help from Alice, an inexperienced immigration worker who is dealing with her own issues … she's a hard core corporate burn out (hide your cell phone fellas!).

Given the subject matter, the film is much funnier and pleasant to watch than one might expect. The actors listed above, along with Izia Higelin as another immigration worker, are all wonderful and interesting to watch as their characters struggle through the hand they've been dealt. Samba and Wilson steal moments of joy while living in constant fear of being discovered, while Alice is borderline depressive and insomniac. She and Samba spend much of the movie in clumsy flirtations while their stressful situations swirl around. It's awkward to watch, but we do find ourselves hoping things work out for each of them.

A very promising opening sequence contrasts the attendees of a high-dollar wedding with the working class of those in the kitchen- of which Samba is one. Unfortunately, this contrast is mostly hinted at for the rest of the film, except for one terrific "back and forth/ him and her" segment. The best guess is that there is an outstanding dramatic story hidden by the overuse of comedy. While the laughs are legitimate and appreciated, the film leaves us feeling a bit empty, given the lack of information and insight we take away in regards to French immigration.


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