Following five couples and their friend Robert (Neil Patrick Harris), the perpetual bachelor, Company explores the true meaning of being in a relationship through a series of vignettes. ... See full summary »
Neil Patrick Harris,
Stephen Sondheim's musical "Company" opened on Broadway in the Spring of 1970, and tradition dictates that the cast recording is done on the first Sunday after opening night. D.A. ... See full summary »
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
This is a wonderful documentary, composed chiefly of interviews Stephen Sondheim has given in the past, with the addition of the musical numbers, some specifically filmed for this HBO documentary.
And it is one of those versions I want to address: James Lapine's filmed version of "Opening Doors" from "Merrily We Roll Along." It stars Darren Criss, Jeremy Jordan, and America Ferrara, and I truly wish this version was available as a full-length film version of the difficult- to-produce musical. It brought back the magic I felt seeing this in a 1982 version in Washington DC and later in a 1983 Los Angeles Equity production. Subsequent revisions of the script and songs have left me feeling flat, including the much-raved-about recent London production. These three actors have the charm and innocence and musical presence that was required of the original roles, and they recreate the period and excitement with thrilling results. During their number, I kept thinking, "Where is this version?! Why isn't there a movie version with this cast?" Kudos to all involved in truly bringing back to life "Merrily We Roll Along" (and to that sly actor singing about songs having "hummable" and "memorable" melodies).
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