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Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (2013)

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A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well ... See full summary »

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Cast

Credited cast:
The Avett Brothers ...
Themselves
Scott Avett ...
Himself
Seth Avett ...
Himself
...
Herself
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Himself (as T-Bone Burnett)
...
Himself
...
Himself
Rhiannon Giddens ...
Herself
...
Himself
...
Themselves
...
Himself (as Dave Mansfield)
Colin Meloy ...
Himself
The Milk Carton Kids ...
Themselves
...
Himself
...
Himself
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Storyline

A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac. Written by Anonymous

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13 December 2013 (USA)  »

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16:9 HD
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Colin Meloy: There was a connection between the folk movement and the punk movement in that folk music... I mean initially, you know think about Pete Seeger was all about "Let's get as many people as possible singing these songs. It's very easy to play these instruments. These are three chords. You know? And they're for folk. They're for everybody to sing." And I think that was his attitude. And to a certain respect that's kind of the punk ethos.
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User Reviews

 
Might be better than the movie
9 March 2015 | by (United States) – See all my reviews

I enjoyed "Inside Llewyn Davis", but it was an average Coen brother's film. I had moderate expectations for this documentary-style film and was pleasantly surprised. The performances are all excellent, and a nice blend of stage performances, backstage improvisation and jam sessions, and recording sessions in the studio. The Punch Brothers and The Avett Brothers were standouts for me, but all the artists put their own spin on the tune they tackled.

One thing in particular I liked was that the editing was thoughtful, with no fast cutting, allowing the camera to linger on a performer for 15 to 30 seconds or longer for most of the shots. Compared to the way most live music is edited lately it was a nice surprise.


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