When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.
Following the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.
Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
As a child Matt Murdock was blinded by a chemical spill in a freak accident. Instead of limiting him it gave him superhuman senses that enabled him to see the world in a unique and powerful way. Now he uses these powers to deliver justice, not only as a lawyer in his own law firm, but also as vigilante at night, stalking the streets of Hell's Kitchen as Daredevil, the man without fear. Written by
The office across the hall from Nelson and Murdock's has a logo on the door of a globe with the name "Atlas Investments." The logo is very similar to the Atlas Comics logo; which is the company that evolved into Marvel Comics. See more »
Throughout the series, when adult Matt is shown reading, he moves both index fingertips across the page at the same time. A blind person places the left index fingertip at the edge of the line and keeps it stationary, to hold the place. Otherwise, the right index fingertip (which is the one that moves across the line of Braille) might not return to the start of the next line properly (it might get "lost" and skip a line or start one that had already been read). Child Matt does this more correctly than Adult Matt does. See more »
The city and its future... seeing Hell's Kitchen to its fullest potential is very important to me.
I feel the same way.
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The opening credits is a montage of silhouettes emerging from a red background, in the manner of blood dripping over everything and revealing hidden objects. See more »
A reason to sign up for Netflix, all other facts aside
As a long term comic book nerd, and a huge fan of the Marvel cinematic universe and television properties - I wasn't sure what to make of the proposed Street Heroes development deal with Netflix, especially in light of the history with those characters in film (Affleck's disappointing Daredevil in particular). I was however pleasantly optimistic from the teaser releases.
I am breath taken with the end result. Vincent D'Onofrio is to my mind the standout star and an act of sheer casting genius as Kingpin. The menace and complexity in his voice even when he's not on screen, and the cold, calculating and distant aspect of his body language, and the delivery of his dialogue, shows both the depth of his talent as an actor and the brilliance of his casting. As a long term fan of D'Onofrio - and a huge fan of the king pin in the comic book universe - I'm thrilled at the prospect of his continued involvement with the Marvel cinematic universe.
The sound editing for the series in general, from D'Onofrio's voice overs to the audible representations of the protagonist's enhanced senses is a triumph. It begs to be recognized and awarded. It is perhaps as integral to success of the series as the performance of any of the characters.
Also, Deborah Ann Woll who played Jessica Hamby in True Blood remains equally gifted as an actress, stunning as an aesthetic work of art, and for a moment, just a little bit more naked than she was in her prior works. Which after 71 episodes of true blood with a celebrity crush on her - has to be a acknowledged as part of the reason for my immediate fondness for the series. But as talented as she is, the show would stand as remarkable even without her.
In the interest of fairness, there are some rough moments in the dialogue. The visual effects have moments of awkwardness in the earlier episodes. There is a sense in a few corners of the production group finding its feet. But it does seem to level out (and up) as the story progresses.
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