A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Alice Howland is a renowned linguistics professor happily married with three grown children. All that begins to change when she strangely starts to forget words and then more. When her doctor diagnoses her with Early-onset Alzheimer's Disease, Alice and her family's lives face a harrowing challenge as this terminal degenerative neurological ailment slowly progresses to an inevitable conclusion they all dread. Along the way, Alice struggles to not only to fight the inner decay, but to make the most of her remaining time to find the love and peace to make simply living worthwhile. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Still Alice - a Delicate, Heartbreaking, Intimate and Ultimately Powerful Story, That Is Sadly a Part of Our Everyday Life
It probably goes without saying, but in my opinion "Still Alice" is right up there among this year's best pictures.
And what ultimately makes author Lisa Genova's debut bestselling novel so personal, yet so universal and identifiable in it's messages, are the performances. Alec Baldwin and Kristen Stewart are a part of a strong supporting cast, that will leave a lasting impression in your mind and it will be more than deserved. Both of their characters were so real - warm, supportive and earthly. And while both Baldwin and Stewart have taken the occasional misstep in their respective pasts, both of them once again showed without a doubt their acting abilities and scope, a word linguistics professor Dr. Alice Howland used, albeit with great difficulties, to describe her daughter Lydia (played by Stewart) in one point of the film.
And what a performance by Julianne Moore that was! She essentially made an already rich character in Alice, a frankly too young Alzheimer's disease patient, who also happens to be a renown linguistics professor, even more dimensional and rich. Moore's Alice is a strong, intelligent woman when we first meet her at her birthday at the beginning of the film. At that moment, Moore is confident and full of purpose. As she gets diagnosed with a rare form of Alzheimer's disease, that her children might have inherited from her, and time goes by, Alice becomes a shadow of herself, whose mental health deteriorates at an alarmingly fast rate. And that is the part that Moore portrayed with such skill and graceful pain, that the viewer can't help but get irreversibly emotionally involved with her character. We feel for her, we cry with her, we wish she would get better, although it is clear that is sadly not going to happen. And Moore's Alice knows it as well. And that makes the journey through her story even more challenging, difficult and painful for the viewer. Or as Beverly Beckham of The Boston Globe put it "This is Alice Howland's story, for as long as she can tell it".
The film was directed and adapted by Richard Glatzer and Wash Westmoreland, who share both the writing and directing duties on almost all of their projects to date. The two somehow complete each other and find the balance, that is needed to tell such a delicate story in a manner, which can do it proper justice.
I will probably be the only one saying this, but I thought the score was tremendous as well. Kudos goes to composer Ilan Eshkeri, who did an amazing job on the film. The music is often intense and minimalistic, it feels like it is just an addition to the already rich environment the characters find themselves in and I would love to see at least a nomination at the Oscars for Eshkeri, although I highly doubt it.
So, to wrap it up in a nutshell: Still Alice is a wonderful film, an intimate and fascinating study in the field of family drama, and one of the year's best. I definitely hope to see some awards buzz mainly around the cast - both Alec Baldwin and Kristen Stewart deserve it for their delicate and supportive portrayal of husband John and youngest daughter Lydia, respectively, who never gave up on Moore's Alice. And Julianne Moore - well, what can I say - her brutally sad and honest portrayal of Alice deserves to go down in the books of top-notch acting and she will reap the fruits of her work a long time from now (well, mostly, at the end of February, I hope).
So it is a nine out of ten stars from me, only because I felt there could have been more screen time for the other children in the Howland family, and therefore the film could have been at least 10-15 minutes longer.
But solely on Julianne Moore, Alec Baldwin and Kristen Stewart's impeccable acting, I say this film is among the very best in the subject and also among the best titles this year.
My grade: 9/10
79 of 94 people found this review helpful.
Was this review helpful to you?