A retired orchestra conductor is on holiday with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Tony is admitted to a rehabilitation center after a serious skiing accident. Dependent of medical staff and painkillers, she takes the time to remember the tumultuous love story she lived with Georgio.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They look with curiosity and tenderness on their children's confused lives, Mick's enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important film, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again. Written by
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Jane Fonda became interested in the role of Brenda after friend Al Pacino had told her that the part was "written for you." Another actress had been cast but dropped out, and so Fonda had her agent secure the role on her behalf. See more »
When in the pool, "Maradona" says: I'm left-handed too. Later on, we can see him signing autographs using his right hand. This is not a mistake, although left-handed, he writes and signs with his right hand. See more »
I have to choose, I have to choose what is really worth telling: horror or desire? And I choose desire. You, each one of you, you open my eyes, you made me see that I should not wasting my time on the senseless fear...
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The film's title credit only appears after 14 minutes. See more »
Youth is one of those movies that makes you ponder about the missing piece of the puzzle that would make it a good film. The cast is perfectly chosen, their performance impeccable and cinematography wonderful. A lot of scenes are like still life paintings brought to screen, although humans are the part of the scenery.
Eventually, what was supposed to enhance the atmosphere turned to be the biggest weak spot. The "important" scenes dragged on forever and made me cherish the dialogue between the cast.
Youth is not a bad movie in itself. It simply shows what is considered to be a good art-house movie of today. Essentially it has a lot in common with blockbusters, boasts with stellar cast and impressive cinematography. It lacks the action and substitutes it with emotional tension between the protagonists. And the authors where pretentious as if they were paid by the minute of the final product.
It remains a mystery to me how this empty shell of a film became an instant classic on IMDb and would presumably become a cult movie in the time to come.
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