Marshland (2014)
La isla mínima (original title)Reference View | Change View
- TV-MA
- 1h 45min
- Crime, Mystery
- 26 Sep 2014 (Spain)
- Movie
Two cops lost in the deep south of Spain. One serial killer to catch. A lot of secrets and lies to disclose.
Director:
Writers:
Awards:
- 60 wins & 43 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Javier Gutiérrez | ... |
Juan Robles
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| Raúl Arévalo | ... |
Pedro Suárez
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María Varod | ... |
Trinidad
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Perico Cervantes | ... |
Padre Trinidad
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Jesús Ortiz | ... |
Andrés
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| Jesús Carroza | ... |
Miguel
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Salva Reina | ... |
Jesús
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| Antonio de la Torre | ... |
Rodrigo
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| Nerea Barros | ... |
Rocío
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Ana Tomeno | ... |
Marina
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Paula Palacios | ... |
Niña 1
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Claudia Ubreva | ... |
Niña 2
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Lucía Arias | ... |
Niña 3
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Chelo Castro | ... |
Niña 4
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| Jesús Castro | ... |
Quini
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Lola Páez | ... |
Señora del Dyane
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Paco Inestrosa | ... |
Barquero
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Ángela Vega | ... |
Angelita
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| Julián Candón | ... |
Cazador 1
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Jorge Amat | ... |
Cazador 2
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Laura López | ... |
Carmen
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Cyntia Suano | ... |
Estrella
(as Cyntia María Suano)
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Juan Carlos Villanueva | ... |
Juez Andrade
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Josemi Rodríguez | ... |
Médico Forense
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| Manolo Solo | ... |
Periodista el Caso
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Miguel Ángel Díaz | ... |
Castro
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| Adelfa Calvo | ... |
Fernanda
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Francisco García | ... |
Juanito
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Javier Berger | ... |
Barman Pub
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Pedro Lanzas | ... |
Vicente
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Beatriz Cotobal | ... |
Madre Marina
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| Mercedes León | ... |
Señora Casa Coto
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Juan Carlos Montilla | ... |
Fermín
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Abel Mora | ... |
Traficante
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| Gonzalo Trujillo | ... |
Recepcionista
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Nacho Fortes | ... |
Botones
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Antonio Álvarez | ... |
Capataz
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Manuel Rodríguez | ... |
Camarero
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Álex Peña | ... |
Trabajador Megáfono
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Alberto González | ... |
Don Alfonso Corrales
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Manuel Salas | ... |
Sebastián Rovira Gálvez
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| Rest of cast listed alphabetically: | |||
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Pablo Puglisi | ... |
Trabajador Arrocera (uncredited)
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Cecilia Villanueva | ... |
María (uncredited)
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Directed by
| Alberto Rodríguez | ||
Written by
| Rafael Cobos | ... | () & |
| Alberto Rodríguez | ... | () |
Produced by
| Mercedes Cantero | ... | producer |
| Juan Carlos Caro | ... | producer: Atresmedia Cine |
| José Antonio Félez | ... | executive producer / producer |
| Mercedes Gamero | ... | producer |
| Ricardo García Arrojo | ... | executive producer: Atresmedia Cine (as Ricardo García Arroyo) / executive producer: Atresmedia Cine |
| Gervasio Iglesias | ... | executive producer: Sacromonte Films |
| Mikel Lejarza | ... | producer |
| Manuela Ocón | ... | line producer |
| Rosa Pérez | ... | producer: Atresmedia Cine |
| José Sánchez-Montes | ... | producer |
| Pepe Torrescusa | ... | producer: Atresmedia Cine |
Music by
| Julio de la Rosa | ||
Cinematography by
| Alex Catalán | ||
Editing by
| José M. G. Moyano | ||
Editorial Department
| Elena Araco | ... | dcp mastering |
| Iván Benjumea-Rey | ... | post-production coordinator |
| Daniel Fernández | ... | trailer |
| Juanve | ... | color correction (as Juan Ventura) |
| Manuel Terceño | ... | assistant editor |
Casting By
| Eva Leira | ||
| Yolanda Serrano | ||
Art Direction by
| Pepe Domínguez del Olmo | ... | (as Pepe Domínguez) |
Costume Design by
| Fernando García | ||
Makeup Department
| Juan Espinosa | ... | makeup and hair assistant |
| Maribel Jiménez | ... | makeup and hair assistant |
| Rafael Mora | ... | makeup and hair assistant |
| José María Olmo | ... | makeup and hair assistant |
| Yolanda Piña | ... | makeup and hair |
Production Management
| Paco Almazo | ... | unit production manager |
| Iván Benjumea-Rey | ... | post-production manager |
| David González | ... | production team |
| Nieves González | ... | assistant location |
Second Unit Director or Assistant Director
| Adán Barajas | ... | first assistant director |
| David Iglesias | ... | trainee assistant director |
| Beatriz Mateos | ... | third assistant director |
| Adrián Orr | ... | second assistant director |
| Paco R. Baños | ... | second unit director (as Paco Baños) |
| Juan Rivadeneyra | ... | trainee assistant director |
Art Department
| Michel Baffico | ... | set dresser |
| Salvador Casado | ... | art assistant |
| Santiago Castro | ... | laborer |
| José Antoni Dalí | ... | laborer |
| Vanesa de la Haza | ... | assistant set dresser |
| Marian Delgado | ... | second assistant decorator |
| Alberto Gabella | ... | laborer |
| José Gabella | ... | laborer |
| Miguel García González | ... | props |
| Mario Rubén García | ... | laborer |
| José María Garrido | ... | laborer |
| Sergio González Kuhn | ... | creative director / main poster design |
| David Herrera | ... | laborer |
| Sebastian Iampietro | ... | carpenter / props |
| Manuela López | ... | property master |
| Angel Madueño | ... | props (as Ángel Madueño) |
| Antonio Mellado | ... | laborer |
| Candela Ocón | ... | art assistant |
| Gigia Pellegrini | ... | assistant decorator |
| Vicente Peñalver | ... | carpenter: props |
| Chris Swan | ... | props (as Christopher Swan) |
| Antonio Manuel Sánchez | ... | laborer |
| Jesús Velázquez | ... | laborer |
| Laura Zamudio | ... | laborer |
Sound Department
| Álex F. Capilla | ... | foley artist |
| Jordi Gil | ... | dubbing engineer |
| Pelayo Gutiérrez | ... | sound editor |
| Detlef Halaski | ... | re-recording mixer |
| Ana Belén Martín | ... | post-production sound |
| Antonio Mejías | ... | boom operator |
| César Molina | ... | assistant sound editor |
| Miguel Muñoz Huete | ... | adr recordist |
| Rafael Pachón | ... | actor de figuración |
| Andrea Paralta | ... | second assistant sound editor |
| Carlos Pérez Valero | ... | sound assistant |
| Nacho Royo-Villanova | ... | re-recording mixer |
| Sergio Testón | ... | assistant sound re-recording mixer |
| Daniel de Zayas | ... | sound recordist |
Special Effects by
| Carlos Ferrández Hernández | ... | special effects technician (as Carlos Ferrández) |
| Carlos Martín | ... | special effects technician |
| César Moreno | ... | special effects technician (as Cesar Moreno) |
| Pedro Moreno | ... | special effects supervisor |
Visual Effects by
| Alejandro Carretón | ... | digital compositor |
| Laura Domínguez Verdejo | ... | digital compositor (as Laura Domínguez) |
| Manuel Huertas | ... | digital compositor |
| Juanve | ... | visual effects supervisor (as Juan Ventura) |
| Amparo Martínez | ... | digital compositor |
| Alexis Menacho | ... | digital compositor |
| Israel Millán | ... | visual effects artist |
| Darío G. Reina | ... | digital compositor (as Darío Gonzalez) |
| Raúl G. Salmerón | ... | digital compositor |
| Lara Sastre | ... | visual effects coordinator |
Stunts
| Antonio Arnalte | ... | stunt double: Jesús |
| Ignacio Herráez | ... | stunt performer |
| Alejandro López Estacio | ... | stunt coordinator (as Alex López) |
| Ricardo Rocca | ... | stunt driver |
| César Solar | ... | stunt double |
| Cuco Usín | ... | stunt coordinator |
| Diego Álvarez | ... | stunt double |
| Ramon Álvarez | ... | stunt driver |
Camera and Electrical Department
| Mariano Agudo | ... | camera operator: second unit |
| Adrián Aguilar | ... | electrician |
| Jorge Borreguero | ... | electrician |
| Paco Cano | ... | second assistant camera |
| Paco Carrasco | ... | camera trainee |
| Víctor Casasola | ... | digital imaging technician |
| Cristina Cerezo Calzada | ... | video assist (as Cristina Cerezo) |
| David Cortázar | ... | second assistant camera: second unit |
| Miguel Ángel Cárdenas | ... | gaffer |
| Alejandro Espadero | ... | cinematographer: second unit |
| Roberto Fernández | ... | assistant camera: second unit / first assistant camera |
| Gonzalo Frías | ... | electrician |
| Antonio García Domínguez | ... | steadicam operator / steadicam (as Antonio García) |
| Javi García | ... | digital imaging technician (as Javier García) |
| Eduardo Jara | ... | electrician (as Eduardo Cabrera) |
| Eduardo López | ... | assistant camera: second unit |
| Ángel López | ... | key grip |
| Javi Navarro | ... | electrician |
| Saúl Oliveira | ... | assistant camera: second unit / first assistant camera |
| Pipo Rivas | ... | electrician (as José Gabriel Rivas 'Pipo') |
| Ramiro Sabell hijo | ... | first assistant camera (as Ramiro Sabell) |
| Isaías Saldaña | ... | steadicam assistant |
| Juanjo Sánchez | ... | steadicam operator |
| Roberto Sánchez | ... | electrician |
| Julio Vergne | ... | still photographer |
| Jens Zahorszky | ... | assistant camera: second unit |
Casting Department
| Laura Alvea | ... | casting assistant |
| Hugo Baena | ... | casting assistant |
| Leticia Criado | ... | casting assistant |
Costume and Wardrobe Department
| Lourdes Fuentes | ... | assistant costume designer |
| Mariché González | ... | costume trainee |
| Carmen Montaraz | ... | seamstress |
| Isabela Pérez | ... | costume assistant |
| Andrés Felipe Ramírez | ... | costume assistant |
| Eva Ávila | ... | costume assistant |
Music Department
| Julio de la Rosa | ... | musician |
| Jaime Olmedo | ... | music recording engineer / musician |
| Dany Richter | ... | music mixer engineer / music mixer |
| Isaac Rico | ... | music mixer engineer |
| Ángela Rubio | ... | musician: cello |
Script and Continuity Department
| Paco R. Baños | ... | script supervisor (as Paco Baños) |
| Sergio Toledo | ... | reinforcement script supervisor |
Additional Crew
| Eva Aguayo | ... | trainee production assistant |
| Mercedes Almarcha | ... | child coach |
| Víctor Arizala | ... | financial director (as Victor Arizala) |
| Alicia Baena | ... | second production assistant |
| Pablo Barbato | ... | runner |
| Iván Benjumea-Rey | ... | technical director |
| Vicente Canales | ... | head of sales |
| Javier Cassinello | ... | legal advisor: Atresmedia |
| Maria Contreras | ... | development executive: Atresmedia Cine (as María Contreras) |
| Antonio de Zayas | ... | security |
| Ayib Diop | ... | security |
| Lucía Escassi | ... | trainee production assistant |
| Sofía Fábregas | ... | development executive: Atresmedia Cine |
| Juan Gallardo | ... | security |
| Blanca García Marcida | ... | legal advisor: Atresmedia |
| Nieves González | ... | production assistant |
| Nuria González | ... | legal advisor: Atresmedia |
| Pablo González | ... | promos: Atresmedia |
| Tony Gray | ... | subtitles: english |
| Carolina Guillamas | ... | marketing: Atresmedia Cine |
| Víctor Lamas | ... | trainee production assistant |
| Raúl Lavado | ... | security |
| Gema Lerma | ... | legal advisor: Atresmedia |
| María Lirola | ... | promos: Atresmedia |
| Rocío Martín | ... | administrator: Sacromonte Films |
| Teresa Martínez Belli | ... | legal advisor: Atresmedia |
| Luis Melgar | ... | making of director |
| Jesús Molina | ... | finances: Atresmedia Cine |
| José Luis Morales Carretero | ... | armourer |
| Luz Olmedo | ... | production assistant / trainee production assistant |
| Antonio José Palma | ... | trainee production assistant |
| Álvaro Parrilla | ... | trainee production assistant |
| Céline Petit | ... | press attaché: France |
| Ismael Portela | ... | security (as Israel Portela) |
| Miguel Boris Rasines | ... | security |
| Carolina Rodríguez | ... | trainee production assistant |
| Joaquín Rodríguez | ... | promos: Atresmedia |
| Sonia D. Roncero | ... | production secretary (as Sonia Díaz Roncero) |
| Ángel Ruiz García | ... | security |
| Elio Segui | ... | press manager (as Elio Seguí Polnoroff) |
| Cristina Sutherland | ... | marketing director |
| Paloma Sáenz de Santamaría | ... | production coordinator: Atresmedia |
| Israel Sánchez | ... | trainee production assistant |
| Jorge Sánchez | ... | finances: Atresmedia Cine |
| Carmen Torres | ... | assistant |
| José de Zayas | ... | security |
| Mario Álvarez | ... | production assistant |
Thanks
| Laura Alvea | ... | the director wishes to thank |
| Pablo Barbato | ... | thanks |
| Javier Berger | ... | the director wishes to thank |
| Paz Mediavilla | ... | the director wishes to thank |
| Cecilia Villanueva | ... | special thanks |
Production Companies
- Atípica Films
- Sacromonte Films
- Atresmedia Cine
- Atresmedia (with the participation of)
- Canal+ España (with the participation of)
- AXN (with the participation of)
- Canal Sur Televisión (with the participation of)
- Audiovisual Aval SGR (with the participation of)
- Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) (with the collaboration of)
- Junta de Andalucía (with the collaboration of)
- Instituto de Crédito Oficial (ICO) (with the financial support of)
Distributors
- Warner Bros. (2014) (Spain) (theatrical)
- AZ Films (2015) (Canada) (theatrical)
- Cinema Mondo (2016) (Finland) (theatrical)
- Cinéart (2015) (Netherlands) (theatrical)
- Drop-Out Cinema (2016) (Germany) (theatrical)
- Le Pacte (2015) (France) (theatrical)
- Movies Inspired (2015) (Italy) (theatrical)
- Praesens-Film (2015) (Switzerland) (theatrical)
- The Klockworx (2015) (Japan) (theatrical)
- Vendetta Films (2015) (Australia) (theatrical)
- Vertigo Média Kft. (2015) (Hungary) (theatrical)
- Weird Wave (2015) (Greece) (theatrical)
- Canvas (2018) (Belgium) (tv)
- Cinéart (2015) (Netherlands) (Blu-ray)
- Cinéart (2015) (Netherlands) (DVD)
- Encripta (2018) (Brazil) (video) (VOD)
- Film1 (2016) (Netherlands) (tv) (limited)
- Koch Media (2016) (Germany) (Blu-ray)
- Koch Media (2016) (Germany) (DVD)
- NTR (2019) (Netherlands) (tv) (NPO2)
- Njutafilms (2016) (Sweden) (DVD)
- Scanbox Entertainment (2016) (Finland) (DVD)
- Strand Releasing (2015) (United States) (video)
- Yleisradio (YLE) (2018) (Finland) (tv)
Special Effects
Other Companies
- BBVA (bank)
- Barfutura (main poster design, promotional campaign)
- Codex (digital recording equipment)
- Deluxe Spain (mastering)
- Fintage CAM (collection account management)
- Food Service Project (catering)
- LVT (french subtitles: original version with subtitles)
- Le Public Système (publicity: France)
- Mix Room (music mixing)
- Movie Sur (generator)
- Ovide (camera equipment provided by)
- Parque Nacional Doñana (thanks)
- Recent Spanish Cinema (programming)
- The Stunt Club (stunt team)
- Why On Set (DIT equipment provided by)
Storyline
| Plot Summary |
1980. In a little town close to Coto of Doñana (Andalusia, south to Spain), two teen girls have disappeared. The father of one of the girls, who has connections with important people in the forces of the law, gets two police detectives from the Homicides Division Madrid assigned to the mission to find the girls if they are alive, or find the assassin if they appear dead. The detectives are Pedro Suárez and Juan Robles. While Suárez is a young, taciturn and circumspect agent in a Spain that it tries to find a new identity as democratic country after General Franco's death in 1975, Robles is a veteran, funny and expeditious agent, with a mysterious past as alleged member of Franco's Armed Police dismantled in 1978. Unable to reconcile with each other, Suárez and Robles find themselves trapped in the hostile environment of a place where the old Franco's methods and customs are still alive, and where they aren't welcome. When the girls appear dead, the following investigation moves the cops to discover deaths of other teen girls that happened before and were never investigated. While Suárez meets beautiful Rocío, an enigmatic woman of the town, Robles learns to move in the town looking for information, learning about rich and powerful people that make their will with total impunity. But according the clues signed by Quini, a young, charming and womanizer man related to the girls, a journalist will arrive to the town to report the case, contacting Suárez about it and about Robles' past. Without more options, Suárez and Robles will have to leave their differences apart for not only solving the case, but also for not die trying. Written by Chockys |
| Plot Keywords | |
| Taglines | Life. Death. Salvation. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | EUR4,000,000 (estimated) |
| Opening Weekend Spain | EUR948,017, 26 Sep 2014 |
Did You Know?
| Trivia | Aerial photographs at the beginning of the film and others that you can see over it, were digitalized by Israel Millan from photographs of Hector Garrido. This photographer has published a book, "Armonía fractal de Doñana y las marismas" (Fractal Harmony of Doñana and marshes) which includes some of the images used in the film. The images correspond to various marshes of Andalucia, such as the ones of Coto Doñana and the Salinas de San Fernando in Cádiz. See more » |
| Movie Connections | Featured in La isla mínima: Making of (2015). See more » |
| Soundtracks | Yes Sir, I Can Boogie See more » |