A celebrated author's story about a genetic experiment morphs into reality, when it is read by three strangers. Trapped in a room, the four discover that one of them must be killed to save the rest from an escaped undercover recruit.
Desperate to return home from a state visit to Istanbul when his country suffers its worst-ever political crisis, but unable to fly due to a solar storm, the King of the Belgians finds himself on a tumultuous road trip across the Balkans.
Peter Van den Begin,
Titus De Voogdt
A gang of Afghan kids from the Kuchi tribe dig out old Soviet mines and sell the explosives to children working in a lapis lazuli mine. When not dreaming of the time when American troops ... See full summary »
Loïe Fuller was the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers. The film revolves around her complicated relationship with protégé and rival Isadora Duncan.
This Belgian drama is about the special bond between father and daughter. Paul is a 46 year old PI. Dorothy is almost 16 and has an identity crisis when she finds out her father isn't her ... See full summary »
Dune de Braconier
Michael and Ava are two strangers who meet at a bar and a have a few too many drinks. The next morning neither has any recollection of each other or what happened the night before and with ... See full summary »
The sun can be found behind the most menacing clouds
Suicidal teens, depressed mothers, manic ladies, the gap between rich and poor, the global warming, the destruction of the world in general: the Belgian film Vincent has all the dark themes. Screenwriter-producer Jean-Claude Van Rijckeghem, has in his life and career made a point to find the sun behind the most menacing clouds. He makes no exception this time. 'Vincent' seeks a balance between emotional drama and humor jolly. the first gets remarkably well done, thanks to a rich narrative pace and certainly a strong group of actors. Protagonist Spencer Bogaert confirms his talent, Geert Van Rampelberg gives color to the one-dimensional Raf and Barbara Sarafian was as mother Marianne perfect. The nonsense that everything must be put into perspective however, affects less goal. And so 'Vincent' unfolds in the film he at the end of the ride actually always wanted to be: entertaining and smooth, but also harmless and perfect 'middle of the road'.
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