14 user 96 critic

Les combattants (2014)

Unrated | | Comedy, Romance | 20 August 2014 (France)
1:48 | Trailer

Watch Now

From $2.99 (SD) on Amazon Video

Between his friends and the family business, Arnaud's summer looks set to be a peaceful one. Peaceful until he runs into Madeleine, as beautiful as she is brusque, a concrete block of ... See full summary »


12 wins & 15 nominations. See more awards »



Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Summer in a new suburb outside Paris. Nothing to do but look at the ceiling. Marie, Anne and Floriane are 15. Their paths cross in the corridors at the local swimming pool, where love and desire make a sudden, dramatic appearance.

Director: Céline Sciamma
Stars: Pauline Acquart, Louise Blachère, Adèle Haenel
Suzanne I (2013)
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The story of a family and a love affair told through the journey of a young woman called Suzanne.

Director: Katell Quillévéré
Stars: Sara Forestier, François Damiens, Adèle Haenel
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A female doctor gets obsessed with the case of a dead woman after learning that the woman had died shortly after having rung her door for help.

Directors: Jean-Pierre Dardenne, Luc Dardenne
Stars: Adèle Haenel, Olivier Bonnaud, Jérémie Renier
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Agnès Le Roux, a young independent woman, returns to Nice in 1976 to have a new start in her life after a failed marriage. All while falling in love with an older lawyer.

Director: André Téchiné
Stars: Guillaume Canet, Catherine Deneuve, Adèle Haenel
Les diables (2002)
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The siblings Joseph and Chloé are 12 and have just been placed on another children's home. For years they were on the same or separate homes or on the run together. Chloé is an autist. She ... See full summary »

Director: Christophe Ruggia
Stars: Adèle Haenel, Vincent Rottiers, Rochdy Labidi


Cast overview, first billed only:
Antoine Laurent ...
Brigitte Roüan ...
Hélène Labrède
Thibaut Berducat ...
Nicolas Wanczycki ...
Lieutenant Schlieffer
Frédéric Pellegeay ...
Le recruteur
Steve Tientcheu ...
Adjudant Ruiz
Franc Bruneau ...
Le conseiller funéraire
Maxime Mège ...
Clément Allemand ...
Barbara Ayse ...
Coumba Seck ...
Islam Magomadov ...
Stagiaire PM


Between his friends and the family business, Arnaud's summer looks set to be a peaceful one. Peaceful until he runs into Madeleine, as beautiful as she is brusque, a concrete block of tensed muscles and doomsday prophecies. He expects nothing; she prepares for the worst. He takes things as they come, likes a good laugh. She fights, runs, swims, pushes herself to the limit. Given she hasn't asked him for anything, just how far will he go along with her? It's a love story. Or a story of survival. Or both. Written by Directors' Fortnight

Plot Summary | Add Synopsis


Comedy | Romance


Unrated | See all certifications »

Parents Guide:





Release Date:

20 August 2014 (France)  »

Also Known As:

A küzdők  »

Filming Locations:



Box Office

Opening Weekend USA:

$2,365, 29 May 2015, Limited Release

Gross USA:

$23,598, 28 June 2015
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs


Sound Mix:

(Dolby 5.1)


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


French visa # 137589. See more »


Manu Labrède: The army is hard up.
Manu Labrède: It is the number one recruiter in France.
Arnaud Labrède: Number two.
Arnaud Labrède: The first is McDonald's.
See more »


Bye Bye Femme
Written by Henri Steimen and Yann Benoist
© Kosinus / K Musik
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

It's the end of the world as we know it (and no one says a thing)
21 August 2015 | by See all my reviews

Trying to balance his summer like many of us do, between working and spending time with friends, Arnaud (Kévin Azaïs) seems largely fixated on this balance over anything romantic or more substantial during his vacation. A wrench in his plan comes in the form of Madeleine (Adèle Haenel), a beautiful and uncommonly athletic woman. Her toned muscles, gorgeous and structured physique, and complete and total self-confidence in herself and her ideas instantly makes her attractive to Arnaud. As he talks to her, whilst doing oddjobs around her home, he begins to realize that she is more original than she lets on; Madeleine is a survivalist, hellbent on being prepared for, what she believes, is an imminent apocalypse destined to wipe out planet Earth and life as we know it. Madeleine prides herself on being one step ahead of everyone around her, and, similar to the way she handles herself, she doesn't really care if you disapprove or can't keep up with her speed.

Arnaud, on the other hand, I feel, embodies a lot of us. He's not carefree, but simply minded in the present. He wants to work to get enough money to do the things he'd like with his friends and it's that simple motivation that gets him in and out of bed each morning. Madeleine's discussion about end times and doomsday prophecies is likely the first time he has ever even considered the possibility of life as he knows it changing in the blink of an eye. He decides to try and school himself by joining Madeleine at a reserve camp of sorts, which will prepare her for the army and her ship date, which is right around the corner. Here, Arnaud will push himself to physical and mental limits, proving to himself and the one he is rapidly falling in love with that he's capable of looking at a bigger picture and committing himself to something rather than letting the world pass by around him.

Thomas Cailley's "Love at First Fight" is rather impressive on a structural note, due to the fact that, as it carries itself, its genre does a full one-eighty. In the very beginning, the film plays like the opening of a Nicholas Sparks film, only a tad moodier, whereas, by the forty-five minute mark, and eventually when the remainder of the film is set at the reserve camp, it becomes a survivalist thriller of sorts. This duality comes off as ostensibly uneven and far-fetched for a film like this, but writer/director Cailley finds a way to make it work because he doesn't rush the development or pace of the film. He moves carefully, illustrating the way characters move and the manner in which they speak, making sure we get the nuances examined before we can even think about jumping ship to another genre.

It's a tricky tactic he handles with serious screen writing conviction, but it would've been nothing without solid performers, which is where Azaïs and Haenel come in. Both young talents exhibit serious acting jobs, though the standout is definitely Haenel. From the moment she steps on screen, you get the feeling that she's not your general idea of a romantic interest, and even by the end of the film, you're not convinced she was ever cut out to be anything other than her own independent woman. The fact that Cailley can etch her into a film like this and simultaneously give her and her character some respect, in addition to never cutting down Haenel's Madeleine's significance as a character is another serious win for the film at hand.

I suppose the sole thing about "Love at First Fight" that had me underwhelmed was its lack of real connection or bite. The film is remarkably tame, especially when you consider other French romances, which throw ideas of political commentary or, at the very least, social ideas into the mix. While I'm not saying it's Cailley's obligation to layer a film with any of those things, it would've made for a more connective experience. In addition, given the fact that there's a bit less dialog between Arnaud and Madeleine that would be called revealing, there's a heavy reliance on a minimalist tone here, which hurts the film's ability to make a viewer connect with the characters at hand.

Having said that, "Love at First Fight" does do some quiet subversion of a genre that has long disappointed, and fuels my point that if people want to see romance films with a bit more layeredness and themes, they'll need to seek out foreign films or the very, very independent films of American cinema, for mainstream American cinema, in this genre at least, is doing nobody any good.

6 of 11 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 14 user reviews »

Contribute to This Page

Watch the Latest Episode of "The IMDb Show"

This week on "The IMDb Show," La La Land producer Jordan Horowitz shares some "secret" information about his new spy-thriller series, "Counterpart." Plus, Kevin Smith lets us in on his favorite Sundance movies of all time.

Watch the show