'Fantastic Beasts and Where to Find Them': Everything We Learned on Our Set Visit
IMDb worked its magic to apparate onto the set of Fantastic Beasts and Where to Find Them. Check out exclusive interviews with the cast and creators as well as new pictures and teasers from the movie and beyond.
It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
In mid-20s New York, Newt Scamander, the British young activist wizard, arrives in town, holding a mysterious leather suitcase which shelters a wide array of diverse and magical creatures that exist among us. Amid an already fragile equilibrium of secrecy, and the increasing disasters ascribed to the dark wizard, Gellert Grindelwald, Newt's precious suitcase will be lost--and to make matters worse--several creatures will manage to escape. Before long, this situation will catch Senior Auror Percival Graves' attention who will target Newt, in the background of an invisible, devastating, and utterly unpredictable menace that still wreaks havoc on 5th Avenue. In the end, is there a hidden agenda behind Graves' intentions; moreover, what will happen to the remaining fantastic beasts still loose in the streets? Written by
Absolute Rubbish, no story, no characters, just special effects
It is unbelievable that JK Rowling's name is even attached to this film.
The discipline and thought that went into the Harry Potter characters and story certainly wasn't applied to this catastrophe, which, like the Hobbit and so many other Hollywood regurgitation(s), merely seeks massive profits by piggybacking on a successful franchise while being utterly devoid of substance.
It isn't even worth going into detail. There is only one truly likable character, though you can't relate to ANY character as we know absolutely nothing about them, nor do they have any developed relationships with each other.
The entire script is built around the magical creatures doing damage to NYC, again, a ridiculous premise, as the damage is massive and there is no backlash. The complicated boundaries between the magical and non-magical worlds and people, so well laid out in HP, are completely absent. The most ridiculous example of idiotic, careless detail is that for most of the scenes on the streets of NYC, it is practically a ghost town, whereas in reality, NYC in the 1920s was nearly as densely populated as it is now. Perhaps more so, not worth it to fact check this.
And Eddie Redmayne as the lead was totally inaccessible, not engaging and half of his speech literally unintelligible. Fully one third into the movie it is finally established that he, the lead character, is closer to magical creatures than humans, but by then, not only do we not care about him or like him, but really the script gives him not ONE real relationship wherein to show forth his character. Who is he? Where does he come from? We don't know. Anyway, a horrible choice for a lead character, someone who has no emotional connection to any characters. Even his relations to the animals is explored surface level, there is no one relationship with anyone or anything that develops throughout the story and makes the audience care about the character. Only superficial plot-related details are given and there is no emotional or human life at all.
This is the same way all the characters, every single one, is treated. They are merely 2 dimensional props, there to perpetuate a plot that is mostly centered around special effects and hubris action, magical creatures rampaging here and there, and, as I said, unrealistically, going on undetected.
Literally, not one shining point to this film. Another disgrace to storytelling, devoid of all substance and creativity, pumped out of the Warner Bros fecal-making factory. Utterly disappointed.
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