Directed by
Jonathan Romney |
Writing Credits (in alphabetical order)
Jonathan Romney |
Cast
Produced by
Nicky Bentham | ... | executive producer |
Carey Born | ... | producer |
Becca Ellson | ... | Development Producer |
Lizzie Francke | ... | executive producer |
Darren Heath | ... | executive producer |
Emily Kyriakides | ... | executive producer |
Cinematography by
Nicholas D. Knowland | ||
Tim Sidell |
Editing by
Adam Finch |
Casting By
Liora Reich |
Production Design by
Kate Evenden |
Art Direction by
Mark Sutherland |
Set Decoration by
Pete Dorman | ||
Matt Noble | ... | (set carpenter) |
Costume Design by
Nat Turner |
Makeup Department
Ligia Costa | ... | assistant makeup artist |
Catharine Edwards | ... | assistant makeup artist |
Patrick Forini | ... | assistant makeup artist |
Jennifer Harty | ... | makeup designer |
Chloe Newman | ... | assistant makeup artist |
Sarah-Jane Pirie | ... | assistant makeup artist |
Bethany Swan | ... | assistant makeup artist |
Anna Thompson | ... | assistant makeup artist |
Production Management
Bryony Chaplin | ... | production manager |
Claire McGrane | ... | post-production supervisor |
Carolina Sganzerla | ... | Pre production Manager |
Second Unit Director or Assistant Director
Darren Crisp | ... | first assistant director |
Daniel Parslow | ... | third assistant director |
Aden Turner | ... | first assistant director |
Art Department
Rose Acres | ... | set dresser |
Neil Alexander | ... | dressing props |
Carol Dean | ... | graphic design |
Douglas Ingram | ... | storyboard artist |
Kate Jewitt | ... | set dresser |
Sound Department
Per Boström | ... | re-recording mixer |
Alejandro Cid | ... | boom operator |
Linda Forsén | ... | dialogue editor |
Paul Frost | ... | adr re-recordist |
Lois Jones | ... | sound recordist |
Heikki Kossi | ... | foley artist |
Christer Melén | ... | sound effects editor |
Xan Márquez Caneda | ... | sound recordist |
Mark Paterson | ... | re-recording mixer |
Joakim Sundström | ... | supervising sound editor |
Robert Weatherall | ... | mix technician |
Mark Williams | ... | boom operator |
Visual Effects by
Jo Amery | ... | visual effects artist |
Ifor Ashton | ... | visual effects producer |
Erik Ellefsen | ... | visual effects supervisor |
Shadowjack | ... | visual effects |
Aviv Yaron | ... | technical supervision |
Camera and Electrical Department
Marc Bénoliel | ... | steadicam operator |
Daniel Chaytor | ... | gaffer |
Vini Curtis | ... | camera operator |
Matthew Davies | ... | camera operator (as Matt Davies) |
John Heald | ... | grip |
Iain Mackay | ... | steadicam operator |
Manuel Sa | ... | electrician |
Ed Sinclair | ... | grip |
Peter Tainty | ... | electrician |
Jonathan Tomlin | ... | electrician |
Michal Wesolowski | ... | focus puller |
Fiona Yaron-Field | ... | still photographer |
Casting Department
Theo Barry-Born | ... | casting assistant |
Costume and Wardrobe Department
Mariem Bey | ... | costume assistant |
Irene Guiotto | ... | costume assistant |
Nat Turner | ... | costumer |
Editorial Department
John Claude | ... | colorist |
Feidhlim Deady | ... | assistant editor |
Jateen Patel | ... | digital colourist |
Liz Pearson | ... | post-production manager |
Script and Continuity Department
Becca Ellson | ... | script editor |
Gladys San Juan | ... | script supervisor |
Additional Crew
Nicoletta Comand | ... | translator |
Mariana Gonzalez | ... | researcher |
Jack James | ... | digital interface technician |
Cottia Thorowgood | ... | production coordinator |
Aviv Yaron | ... | technical consultant |
Thanks
Moira Brophy | ... | special thanks: Goldcrest |
Peter Bryant | ... | special thanks: camera and grip equipment - ICE films |
Mark Greaves | ... | special thanks: lighting equipment - Panalux |
Ole Mienert | ... | special thanks: lighting equipment - Panalux |
Ben Perry | ... | special thanks: Codex |