When Jake and Lainey came to Xander's house, and Naomi welcome them. The camera panned they raised their glasses. Furthermore, Jake visible wanted to pull down his glasses, but the camera immediately changed and the glasses still on his forehead. See more »
What the fuck is that?
That was repartee.
That's exactly why I can't have you at the party, because you have repartee with everybody. You love repartee. All you wanna do is flit around the party, flirt with the moms. And then they all get mad and they turn on each other then they yell at Naomi then Naomi yells at me then they wont let their kids play with my kids. Then I have to play with my kid because my kids have no friends. I'm raising friendless children because of you! Do you understand?
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There is an extended scene featuring Xander and his wife simultaneously with the first part of the credits. See more »
Early on-set chemistry between actors in movies is a seriously beautiful thing, especially when it's a chemistry you can see develop from the very first frame in the film. Sleeping with Other People features two delightful performers that I would've never thought have been so charismatic and fun together. The performers in question are Alison Brie and Jason Sudeikis, both proved assets to nearly every film they are in, Brie for her constant, easy-going charisma and her strengths at situational and conversational humor, and Sudeikis for affable and impressively mature "manchild" roles, if that makes sense.
The two make Sleeping with Other People, the sophomore effort from Leslye Headland, who directed Bachelorette in 2012, a delightful romantic comedy, one that speaks to the current generation by use of wit, deadpan sarcasm, technological incorporation, and quick-witted banter. Rather than trying too hard to try and illustrate a new kind of relationship between people like Friends with Benefits, or frustrate with its narrative conventions and compliance with incredulous circumstances like Safe Haven, Sleeping with Other People is so simple and genuine that you may overlook how large its impact is.
The film opens in 2002, where a young collegian named Lainey (Alison Brie) creates a scene outside of Jake's (Jason Sudeikis) dorm. When she is about to be kicked out by security, Jake vouches that she is indeed his guest, and the two spend most of the night in his dorm as she states that her plan was to lose her virginity to her teaching assistant Matt (Adam Scott). Jake, who is also a virgin, slams Matt as one of the most boring people on the faces of the Earth, and both him and Lainey end up hitting it off so well that they wind up having sex.
In the present day, we see Lainey break up with her long-term boyfriend after telling him she has been cheating on him. Per her therapist's request, Lainey decides to visit a "love addicts" meeting where she runs into Jake, who is there for his inability to commit. The two wind up reconnecting just in time for Lainey to realize that Matt, who she was cheating with, is getting engaged; both Lainey and Jake decide to serve as one another's personal therapist as they carry out a strictly platonic relationship revolving around discussing sex and learning the process and perks of commitment.
As stated, the bulk of this film relies on the charming and nonchalant chemistry of both Sudeikis and Brie, which is something that consistently works in the film's favor. Both are comedians well-versed and trained in the field of modern comedies, so it's no surprise that when the two get together, Headland's script has them zealously spouting off quick-witted lines filled with subtle humor and sarcastic undertones. Furthermore, this is the kind of language that the target audience speaks in, especially when the subject revolves around love and romantic commitment.
We're approaching a day and age where more and more young people are rejecting the idea of committing to another person or even formally dating. Positives and negatives of that aside, films like Sleeping with Other People are what we need to document such a shift in mindset. This is a film that doesn't condescend the already disenfranchised demographic when it comes to assertions of them "getting serious" with one another, or the lack of ability to do so, nor does it feel like this was a film made by outsiders looking in, thinking they know how the newer generations operate without really knowing how they operate. Headland does a wonderful job at conveying a sense of maturity and restraint in her script, even when situations call for Jake showing Lainey how to masturbate using an empty bottle of green tea.
Quoted above is a line that perfectly summarizes the humor in this film, not in terms of content, but in terms of zealous energy and conversational wit. Sudeikis and Brie are so used to commanding the screen in their films, regardless of whether or not they have a starring or supporting role, that it's almost as if they cannot help but exhaust all their comedic abilities in this particular film. The result, coupled with the recurring themes of this generation's approach to love and relationships, is refreshing and uncommonly fun, especially given how laidback this film constantly feels.
Starring: Alison Brie, Jason Sudeikis, and Adam Scott. Directed by: Leslye Headland.
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