77 user 5 critic

The Sound of Music Live! (2013)

A live telecast of the famous Rodgers and Hammerstein musical.


(adaptation), (book) | 1 more credit »
3,589 ( 513)

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From $9.99 (SD) on Amazon Video

Won 1 Primetime Emmy. Another 5 nominations. See more awards »


Cast overview, first billed only:
Brigitta (as Sophia Caruso)
Ella Watts-Gorman ...
Louisa (as Ella Watts)
Joe West ...
Jessica Molaskey ...
Christiane Noll ...

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A live telecast of the famous Rodgers and Hammerstein musical.

Plot Summary | Add Synopsis


The beloved family classic comes alive again.


TV-PG | See all certifications »


Official Sites:



Release Date:

5 December 2013 (USA)  »

Also Known As:

The Sound of Music  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

16:9 HD
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Did You Know?


The city of Salzburg (the setting of the play and the hometown of the von Trapps) is never once mentioned. See more »


After the dancing, and dinner is announced, Baroness Elsa Scraeder walks into the room and someone behind her steps on her dress. See more »


Captain Von Trapp: Before you meet the children, you will put on another dress.
Maria Rainer: I haven't any other dress. When we enter the abbey, our worldly clothes are given to the poor.
Captain Von Trapp: What about this one?
Maria Rainer: The poor didn't want this one.
See more »


Version of The Sound of Music (1965) See more »


Written by Richard Rodgers and Oscar Hammerstein II
Performed by David Chase
See more »

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User Reviews

Let's hear it for Carrie
6 December 2013 | by (United States) – See all my reviews

Many posters here have done an adequate job of reviewing all the facets of NBC's ambitious December 5th production of "The Sound of Music;" I'd like therefore to focus on only one. Several trade and daily newspapers have pointed out the deficiencies of Miss Underwood's acting. I cannot quibble with the fact that it was not great, but I thought her performance was magnificent for a first effort, and her pipes were perfectly up to the task.

I enjoyed this musical very much, and even found myself shedding a few tears here and there. What I think we have to understand is that it's quite likely that it could not have been staged at all without Carrie Underwood's participation. It takes that much star power to get the backing for a venture of this magnitude. If not she, then who?

So I'd beg others to give her well-earned plaudits for putting herself on the line in a LIVE performance like this. It must have been terrifying for someone who'd never done it before in her life. It would also be wise to remember that if this were a production prepared for the NY stage, it would have opened in Hartford or somewhere like that to get the kinks worked out before the curtain ever went up on Broadway. In this instance, though, there was NO way to polish it further -- i.e., THIS was opening night, and as such, I think it was a magnificent effort. For anyone who'd care to compare this to the movie version, just try to imagine how much better each and every scene could be with the benefit of the ten or twenty takes and months of editing that the Robert Wise/Julie Andrews version received.

Rather than decry Carrie Underwood's efforts, I'd like to propose that we may have been privileged to see a new stage-musical star being born. I simply cannot give her enough credit for her monumental first effort in this medium. She'll get better, and she may become great.

You GO, Carrie Underwood!

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