4.2/10
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Les portes du soleil: Algérie pour toujours (2014)

An Algerian secret agent has to destroy an undercover paramilitary organization that plans to strike against the country and its people.

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Cast

Cast overview, first billed only:
Zakaria Ramdane ...
Jawed
Smaïn ...
Slimane (as Smaïn Fairouze)
Lorie Pester ...
Sanya
Sofia Nouacer ...
Lina (as Sofia N. Kouninef)
Ahmed Benaissa ...
Mohamed
Patrice Quarteron ...
Amid
Amine Mentseur ...
Jimmy (as Amine Menster)
Athman Bendaoud ...
Achraf
Madjid Ben Blal ...
Ali
Mehdi Tahmi ...
Abdel
Haifa Rahim ...
Linda
Abdelkader Djeriou ...
Amar
Mourad Khane ...
Bachir
...
Bahia Rachedi ...
Ministre de la Culture
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Storyline

A supporter of the OAS, the French paramilitary organization that sought to keep Algeria under French rule instead of allowing for its independence, sets up base in Oran with plans to acquire all the necessary resources needed for an armed and dangerous strike against the country and its people. But the group has to get through a secret agent, who happens to be a martial arts specialist, who will do whatever it takes to defend Algeria, as well as destroy this scheming organization. Written by TAMBAY A. OBENSON

Plot Summary | Add Synopsis

Genres:

Action

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Release Date:

18 March 2015 (Algeria)  »

Also Known As:

Gates of the Sun  »

Filming Locations:


Box Office

Budget:

$4,000,000 (estimated)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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User Reviews

 
A cheap scenario and a cheap production
1 November 2015 | by (Athens) – See all my reviews

A lot of cheap (computer made) special effects. (flares of guns,smoke,blood etc). Poor scenario and a lot o f unnecessary killings just for killing. Its like a TV movie. Very poor casting Has a fast rhythm in all the scenes and that is not useful and it'a disturbing for viewer. Also has a lot disturbing for the eye transitions between the plans Its not worth 90 minutes from my time.And to complete this narrative massacre beauty, what better than a set illiterate powerfully scene, designed by a director who has absolutely no concept of the frame, cutting and scenography? Once the generic, one hallucinates: mounting between taurine in which chains gratuitously beating shutters and strobe flashes, Minéo seems to take to the new Tony Scott, but without the experimental work on the long lens that was of "Man on Fire" and "Domino" real nuggets graphics


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