All three documentaries is mainly shot in the home of Ingmar Bergman. This is the first time ever that a film maker has access to Ingmar Bergman in his home at the small island Fårö in the ... See full summary »
Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop... See full summary »
A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós B. Székely
A documentary that goes behind the scenes with some of today's most talented songwriters as they make new music based on long-lost, newly discovered lyrics from Bob Dylan's legendary ... See full summary »
How to integrate into French society when you are a young immigrant newly arrived in Paris? Just join the school of La Grange aux Belles where, whether you are named Agnieszka, Eduardo, ... See full summary »
Felipe Arellano Santibanez,
Miguel Angel Cegarra Monsalve
Like the Russian poet of 'Nostalghia', who, accompanied by his Italian guide and translator, traveled through Italy researching the life of an 18th-century Russian composer, Andrei ... See full summary »
Plotting on a payment they are about to receive, residents of a collapsing collective farm see their plans turn into desolation when they discover that Irimiás, a former co-worker who they thought was dead, is coming back to the village.
The idea of name film makers on a pilgrimage to Ingmar Bergman's Faro Island home is enough to strike a chill into the heart of any seasoned viewer. Surprisingly, this proves to have room for a large slice of irreverent material without decrying Bergman's status as the heavyweight champion of sixties Euro Art cinema.
The over-all impression is that of a swarm of talented individuals who like to talk about the influences that shaped their own work and for whom Bergman represented one of the high achievers of their craft. The interviews are remarkably skillful - Woody Allen playing it straight, Lars Von Trier getting laughs, Robert De Niro, who is notoriously awkward in interviews, at ease and making valid comment. Technical aspects are good large screen standard and the clips are well chosen and reasonably reproduced - WINTER LIGHT conspicuously absent.
The photos of The Great Man with Ang Lee are a strong finale but I must admit Beat Takashi's encounter with VIRGIN SPRING is the part I tell friends about.
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