The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in... See full summary »
Andres (Jean Pierre Agostini) is a fan of Los Leones del Caracas one of the main baseball teams of Venezuela. Julissa (Juliette Pardau) is a fan of Los Navegantes del Magallanes, the rival ... See full summary »
Luis Carlos Hueck
Jean Pierre Agostini,
Miguel Ángel Landa
The Zero Hour is a gritty, fast-paced heist film. Set in Caracas during the 24 hours of a controversial medical strike, the film tells the story of Parca (The Reaper) a feared hit man that ... See full summary »
Aging teacher Carmela has a special heart for pupils from broken families, is challenged by the headmaster for this. The poor 12 year old Chala and Yeni, in which he is infatuated has both severe troubles on home ground.
Armando Valdes Freire
Simon Bolivar fought over 100 battles against the Spanish Empire in South America. He rode over 70,000 miles on horseback. His military campaigns covered twice the territory of Alexander the Great. His army never conquered -- it liberated.
"Pelo Malo" may turn out to be one of the great films about childhood. It is also one of the few movies that could loosely fit into the criteria of New Queer Cinema since it deals with the subject of a nine year old boy who almost certainly will grow up gay. He lives in the slums of Caracas with his mother and baby brother and it's his obsession with his hair, among other things, that leads his mother to conclude that he might, indeed, be gay and she's not the type of mother who wants a gay son. Fundamentally the issues on display here are notions of machismo and homophobia and they are treated with a good deal of sensitivity and some humour by the director Mariana Rondon.
As the boy, little Samuel Lange Zambrano is really quite extraordinary and Samantha Castillo is equally good as the mother struggling to keep her family together. Indeed, the naturalistic acting of the whole cast is to be commended. This is largely down to the intuitive direction of Rondon whose documentary-style approach is not far removed from Italian neo-realism and, although this is only her third feature in 16 years, marks her out as someone to watch.
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