Marvel One-Shot: Agent Carter (2013)
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- Not Rated
- 15min
- Short, Action
- 24 Sep 2013 (USA)
- Video
Frustrated at being marginalized at work, Peggy Carter goes on an unauthorized solo field mission.
Director:
Writers:
Award:
- 1 win.
- See more »
Photos and Videos
Cast
| Hayley Atwell | ... |
Peggy Carter
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| Bradley Whitford | ... |
Agent Flynn
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| Dominic Cooper | ... |
Howard Stark
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| Shane Black | ... |
Disembodied Voice (voice)
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| Neal McDonough | ... |
Dum Dum Dugan
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| Tim Trobec | ... |
Hefty Guard
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| Jon Barinholtz | ... |
Analyst
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| Anthony Molinari | ... |
Guard #1
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| Jess King | ... |
Guard #2
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| Mark Aaron Wagner | ... |
Goon #1
(as Mark Wagner)
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| David Hutchison | ... |
Goon #2
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Jacob McCafferty | ... |
Goon #3
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| Tim Sitarz | ... |
Head Goon
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| Lindsey Gort | ... |
Poolside Woman #1
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| Sarah Schreiber | ... |
Poolside Woman #2
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| Rest of cast listed alphabetically: | |||
| Chris Evans | ... |
Captain America / Steve Rogers (uncredited) (archiveFootage)
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| Greg Haines | ... |
Agent Johnson (uncredited)
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Directed by
| Louis D'Esposito | ||
Written by
| Eric Pearson | ... | (screenplay) |
| Jack Kirby | ... | (characters) |
| Stan Lee | ... | (characters) |
Produced by
| Victoria Alonso | ... | executive producer |
| Brad Baruh | ... | co-producer |
| Mitchell Bell | ... | executive producer (as Mitch Bell) |
| Kevin Feige | ... | producer |
| Alan Fine | ... | executive producer |
| Tina Trivan | ... | line producer |
| Brad Winderbaum | ... | executive producer |
Music by
| Christopher Lennertz | ||
Cinematography by
| Gabriel Beristain | ... | director of photography |
Editing by
| Peter S. Elliot | ||
Editorial Department
| Michael Dillon | ... | digital intermediate producer (as Mike Dillon) |
| Brian Gaffney | ... | editorial department |
| Damian McDonnell | ... | digital colorist |
| Bob Schneider | ... | digital intermediate senior editor: Technicolor |
| John St. Laurent | ... | colorist: dailies |
Casting By
| Sarah Finn | ... | (as Sarah Halley Finn) |
Production Design by
| Shepherd Frankel | ||
Art Direction by
| Calla Klessig | ||
Set Decoration by
| Ross Cherney | ||
| Brandon Smith | ||
Costume Design by
| Ellen Mirojnick | ||
| Timothy A. Wonsik | ||
Makeup Department
| Allan A. Apone | ... | asst. makeup dept head |
Production Management
| Alexis Auditore | ... | production supervisor |
| Victor Chon | ... | production manager |
| Jesse Torres | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Stephen Clarke | ... | second second assistant director |
| Brian Relyea | ... | first assistant director |
| Paul Schmitz | ... | second assistant director |
Art Department
| Russell Bobbitt | ... | property master |
| Michael D'Imperio | ... | props |
| Kiel Gookin | ... | assistant art director |
| Deirdre Jernigan | ... | art department production assistant |
| Kyle Michael Wilson | ... | set dresser |
Sound Department
| Laura Harris Atkinson | ... | dialogue editor (as Laura Harris-Atkinson) |
| Andrew DeCristofaro | ... | supervising sound editor |
| Nerses Gezalyan | ... | foley mixer |
| Gary A. Hecker | ... | foley artist |
| Tony Lamberti | ... | re-recording mixer |
| Mark Leone | ... | sound mixer |
| Gary Marullo | ... | foley artist |
| Michael Miller | ... | adr mixer |
| Michael Payne | ... | sound designer |
| Ann Scibelli | ... | sound designer |
| Miles J.D. Vedder | ... | boom operator |
| Gayle Wesley | ... | first assistant sound editor |
Special Effects by
| Eric Cook | ... | special effects foreman |
| Steven Carlton Ficke | ... | special effects technician (as Steven C. Ficke) |
| Allison Gainza | ... | special effects coordinator |
| Roy Martinez | ... | special effects technician |
| Daniel Sudick | ... | special effects supervisor (as Dan Sudick) |
Visual Effects by
| Doug Appleton | ... | designer/animator: PerceptionNYC (as Douglas Appleton) |
| Radu Arsith | ... | modeling artist: Trixter Film |
| Remus Avram | ... | system administrator: Trixter Munich |
| Alessandro Cioffi | ... | visual effects supervisor: Trixter Film |
| Michael Coldewey | ... | executive producer: Trixter Film |
| Adrian Corsei | ... | cg supervisor: Trixter Film |
| Danielle Costa | ... | visual effects producer |
| Balazs Drenkovics | ... | effects artist: Trixter Film |
| Sheena Duggal | ... | production visual effects supervisor |
| Chris Erb | ... | production coordinator: Trixter Film |
| Carlos Garcia Barragan | ... | compositing artist: Trixter Film (as Carlos Garcia) |
| Paolo Giandoso | ... | matte artist: Trixter Film |
| Danny Gonzalez | ... | Partner/executive creative director: PerceptionNYC |
| Christopher Grandel | ... | in house compositor |
| Luis Guggenberger | ... | head of art department: Trixter Film |
| Andreas Gutsche | ... | head of pipeline: Trixter Film |
| Christian Haberkern | ... | designer/animator: PerceptionNYC |
| Silke Harbauer | ... | production secretary: Trixter Film |
| Finlay Hogg | ... | compositing artist: Trixter Film |
| Julius Ihle | ... | compositing artist: Trixter Film |
| Stefan Ihringer | ... | compositing artist: Trixter Film |
| Tom Kloucek | ... | animator: Trixter Film |
| Kevin Kobasic | ... | Illustrator |
| Brandie Konopasek | ... | digital intermediate assistant producer |
| Henry Kozinski | ... | production assistant: on-set |
| Simone Kraus Townsend | ... | executive producer: Trixter Film (as Simone Kraus) |
| Jeremy Lasky | ... | Partner/executive creative director: PerceptionNYC |
| John LePore | ... | Creative Director: PerceptionNYC |
| Armando Lombardo | ... | compositing artist: Trixter Film |
| Damien Lopez | ... | effects artist: Trixter Film |
| Tomi Nieminen | ... | visual effects producer: Trixter Film |
| Andrew Paulus | ... | designer/animator: PerceptionNYC |
| Raul Perez | ... | effects artist: Trixter Film |
| Matthias Reiche | ... | animator: Trixter Film |
| Mihai Satmarean | ... | it manager: Trixter Film |
| Evelyn Schunn | ... | digital compositor: Trixter |
| Clara Stammermann | ... | human resources manager: Trixter Film |
| Sebastian Thiel | ... | head of technology: Trixter Film |
| Ron Underdahl | ... | data wrangler |
| Philipp Welle | ... | matchmove artist: Trixter Film |
| Sebastian Wernicke | ... | matchmove artist: Trixter Film |
| Andreas Wieland | ... | visual effects coordinator: Trixter Film |
| Dominik Zimmerle | ... | lead compositing artist: Trixter Film |
Stunts
| Chris Brewster | ... | fight choreographer / stunts |
| Shauna Duggins | ... | stunt double: Hayley Atwell |
| Jenn Grundstad | ... | stunt assistant |
| Thomas Robinson Harper | ... | supervising stunt coordinator |
| Jess King | ... | stunts |
| Casey O'Neill | ... | stunt coordinator |
| Tim Sitarz | ... | stunt performer |
| James Young | ... | fight choreographer |
Camera and Electrical Department
| Eric Arnold Cortez | ... | assistant rigging chief (as Eric Cortez) |
| Andreana Davies | ... | dolly grip |
| Jorge Devotto | ... | first assistant camera: "b" camera |
| Daniel Dougherty | ... | grip |
| Raquel Gallego | ... | assistant camera |
| Ryan Girkins | ... | key grip |
| Nathan Levine-Heaney | ... | digital imaging technician |
| Michael Love | ... | lighting technician |
| Babak Mansouri | ... | techno crane operator |
| Katrina Marcinowski | ... | still photographer |
| Dennis Noyes | ... | b camera operator |
| Jesse Olivares | ... | key video assist engineer |
| Mike Prim | ... | grip |
| Mike Primm | ... | grip |
| Sean Ricigliano | ... | epk camera operator |
| Tim Ryan | ... | grip |
| Mason Semble | ... | grip |
| Lee Spencer | ... | gaffer |
| Erica Thurlow | ... | Best boy grip |
| Dempsey Tillman | ... | hd video assist |
Animation Department
| Rob Holland | ... | production coordinator: title sequence |
Casting Department
| Tamara Hunter | ... | casting associate |
| Claire Koonce | ... | casting assistant |
| Jason B. Stamey | ... | casting assistant |
Costume and Wardrobe Department
| Barbara Marko | ... | costumer |
| Kim Shek | ... | set costumer |
Location Management
| Scott Allen Logan | ... | location manager |
Music Department
| Can Bolat | ... | music publisher |
| Alexander Bornstein | ... | score producer |
| Steve Durkee | ... | music editor |
| Margaret Gardner | ... | music coordinator |
| Ayana Haviv | ... | singer: soloist: voice |
| Dave Jordan | ... | music supervisor |
| Alex Kovacs | ... | additional arrangement / programmer |
| Michael J. Lloyd | ... | orchestrator |
| Adam Michalak | ... | score mixer |
| Simon Rhodes | ... | score recordist |
| Drew Silverstein | ... | orchestrator / score producer |
| Jess Stroup | ... | musician: guitar / musician: programmer |
| Allan Wilson | ... | conductor |
Transportation Department
| John Armstrong | ... | picture car coordinator |
| Joel Marrow | ... | transportation coordinator |
| Jimmy Ray Pickens | ... | transportation captain |
Additional Crew
| Jennifer Bergman | ... | title producer: main titles (as Jennifer M. Bergman) |
| Brian Chapek | ... | assitant to producers |
| Barry Curtis | ... | security manager |
| Matt Delmanowski | ... | photography coordinator |
| Sheena Duggal | ... | title designer: main titles |
| Matthew Gowan | ... | production assistant |
| Ben Koh | ... | production coordinator |
| John LePore | ... | title sequence creative director: PerceptionNYC |
| Lee Philip Malin | ... | security coordinator (as Lee Malin) |
| Jessica Morris | ... | production assistant |
| Mitul Patel | ... | security |
| Matthew Slatoff | ... | security director |
| Geoff Thoma | ... | key set medic |
| Rina Varughese | ... | assistant to Louis D'Esposito |
Thanks
| Chris Evans | ... | special thanks |
Production Companies
Distributors
- Disney+ (2022) (United Kingdom) (video) (VOD)
- Disney+ (2022) (United States) (video) (VOD)
- Walt Disney Studios Motion Pictures (2013) (United States) (video)
Special Effects
Other Companies
- Air Lyndhurst Studios (score recorded at)
- Chapman/Leonard Studio Equipment (camera dollies)
- Codex (digital film workflow)
- Format Entertainment (Music Supervision)
- J.L. Fisher (camera dollies)
- MBS Media Campus (facilities)
- Perception (main titles)
- Radiant Images (cameras and camera lenses)
- Scarlet Letters (end titles)
- Sonic Fuel Studios (score mixed at)
- Soundelux (sound editorial)
- Technicolor (digital film mastering)
- Technicolor (digital intermediate)
- The Philharmonia Orchestra (score performed by)
- Todd-AO Studios (re-recording services)
Storyline
| Plot Summary |
A year after Captain America was lost in action, the war is over. However, Agent Peggy Carter is relegated to a desk job and frustrated at her male boss and comrades' sexist dismissal of her place in the SSR. Ordered to work late one night, Carter gets an alert that the villain, Zodiac, has been spotted. Deciding to take care of it herself, Carter is ready to show the enemies of peace why meeting this Agent 13 is bad luck for them. Written by Kenneth Chisholm (kchishol@rogers.com) |
| Plot Keywords | |
| Taglines | In an All-New Captain America Adventure See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | In the Marvel Comics Universe, Zodiac is the name of a supervillain team modeled after the figures of the zodiac that first fought the Avengers. On the vial that Carter confiscates on her field mission is a symbol resembling the Zodiac Key, an advanced energy weapon that Scorpio and other members of Zodiac wield. See more » |
| Goofs | Agent Carter, when attempting to recover zodiac, fires her PPK sixteen times without reloading. A PPK can hold either 9 or 10 rounds. Impossible to fire that many times without reloading. See more » |
| Movie Connections | Edited into Now Is Not the End (2015). See more » |
| Crazy Credits | There is an after the credits scene with Dum Dum Dugan and Howard Stark See more » |
| Quotes |
Agent Flynn:
You took a mission last night. Peggy Carter: I completed a mission last night. Agent Flynn: Without even attempting to report in or get the proper authorization? Peggy Carter: The mission was time-sensitive. Agent Flynn: There are protocols in place. No one is above protocol. Not even Captain America's old flame. Peggy Carter: How dare you. Agent Flynn: Please. Let's stop pretending, shall we? Everyone knows why you're here. Peggy Carter: Please, enlighten me. Agent Flynn: You were grieving, so they kept you on, so that you would feel useful. I call it "pity." Peggy Carter: If they wanted to make me feel useful, they wouldn't have made me work with you. See more » |