Theon helps Ramsay seize Moat Cailin. The wildlings attack Mole's Town. Sansa comes up with a story to protect Lord Baelish. Daenerys finds out a secret about Ser Jorah. Oberyn Martell faces Ser Gregor Clegane.
Theon Greyjoy is sent by Ramsey to Moat Cailin to convince an ironborn garrison to surrender, promising that they will return to their land. The Wildlings slaughter Mole's Town but Ygritte spares Gilly and her baby. When Sam hears the news in Castle Black, he becomes worried with Gilly, but his friends comfort. A boy gives a scroll to Barristan with the pardon of Jorah signed by Robert Baratheon and Daenerys expels him from the city. Littlefinger is explaining the death of his wife Lysa to a court and Sansa is asked to testify as a witness, and she lies to protect him. Oberyn fights against the Mountain and wants him to confess that he raped and killed his sister Elia Martell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Oberyn Martell's repeated speech and intended revenge of Ser Gregor Clegane: "You raped her. You murdered her. You killed her children." is very much like Inigo Montoyo's repeated speech from The Princess Bride: "My name is Inigo Montoyo. You killed my father. Prepare to die." as he was fighting the six-fingered man Count Rugen. See more »
When The Mountain is in the ground and beats Oberyn, he makes him drop his spear and it is clearly noticed that it's pointing to one side. But just after Gregor smashed Oberyn's skull, you can see the spear just besides him and pointing to the other side. See more »
Whoever dies last, be a good lad and burn the rest of us. Once I'm done with this world, I don't want to come back.
See more »
This episode belongs to a kind of group that I call the "elegant bridges", meaning that the subtle lines connecting the plot and the characters themselves, are allowed to be shown in a rare and precious light of the day; a privilege shown in a manner that even for both tough spoiled spectators or enlighten readers, it continues to endure in its full richness and complexity. It's still elegant, either you see it for the first time knowing nothing or as a repetition.
Like taking your armor off showing the soft parts and their inner defensive reasons, you have an intimate approach of the narrative and the characters, a human-contact literature quality experience.
Simply put, I felt watching this episode, as if I was absorbed in a visual reading session: myself, the bed or the toilet, the book, and the private voyeuristic relation around the story and the characters. The attachment, the connection, the confided secret. Excellence in cinematic narrative with each piece of the stories completed in its cycle with its own essential elements. Two adjectives: very rich, very elegant.
10 of 41 people found this review helpful.
Was this review helpful to you?