Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost Nazi gold.
An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who live there.
Director:
Bruce Robinson
Stars:
Johnny Depp,
Giovanni Ribisi,
Aaron Eckhart
In the midst of veteran con man Nicky's latest scheme, a woman from his past - now an accomplished femme fatale - shows up and throws his plans for a loop.
The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Director:
Tim Burton
Stars:
Johnny Depp,
Helena Bonham Carter,
Alan Rickman
A celebrated military contractor returns to the site of his greatest career triumphs and reconnects with a long-ago love while unexpectedly falling for the hard-charging Air Force watch-dog assigned to him.
After discovering her boyfriend is married, Carly soon meets the wife he's been betraying. And when yet another love affair is discovered, all three women team up to plot revenge on the three-timing S.O.B.
A young woman discovers her destiny as an heiress of intergalactic nobility and must fight to protect the inhabitants of Earth from an ancient and destructive industry.
Meet Mordecai, he's a revolutionary. He wants to start his own revolution in his small town. He finally lucks out one day to find out that there's a big protest happening in his own town. ... See full summary »
Directors:
Alexander Laird,
Jackson Fritz
Stars:
Cary Spector,
Alexander Laird,
Beatrice Chirita
Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold. Written by
Lionsgate UK
In the "vomit while car chase scene" they run a red light during the chase. However, all other 'normal' vehicles on the road also run the red light, showing it's "set" traffic. See more »
Quotes
[first lines]
Mortdecai:
As you may well know, I am many things. An arts dealer, an accomplished fencer, fair shot with most weapons. I am loved and respected by all who know me - slightly. But I have always felt as if there's something missing, you see. Some final piece of my personal puzzle. I needed something bold, distinctive.
[his cocktail arrives]
Mortdecai:
Ah, thank you. The work of art with which I could declare to the heavens, I am Lord Charlie Mortdecai. And this is a little bit of magic is my mustache...
See more »
No one said that this movie was aiming for anything else than having a good time watching it.My guess is that everybody that disliked the film never liked Inspector Clouseau for example, or Indiana Jones movies. It is fairly obvious that Clouseau and Kato are Mortdecai & Joki in this one, minus Clouseau's unshakeable trust to his police force skills.Lord Charlie never gets as cocky in front of his "team" of spouse and male servant, for nothing more than his good taste and hideous moustache that surely reminds us of his noble background and also provides some good laughs. It is his "pipe and hat", or "whip and hat", if you prefer, his trademark appearance set. It is fairly obvious that the screenwriters and director tried to reference the opening scene with Temple Of Doom. Lord Mortdecai is a kind of Indiana Jones in the art business, finding lost paintings e.t.c., minus the naive US perspective of a morally right hero. He is a British Lord after all, thus corrupted, pompous and easily sold out to the highest bidder, due to personal debts created by the excesses of luxury and pretentious/decandant aristocratic way of life. Anyway, enough with the U.S. haters, that simply don't get it. In order of an American getting it, the dialogues should have been filled with gangsta rap slang..Then and only then, the joke would be obvious. Now, with this posh dialect and witty selections of words (like using a thesaurus) they should try to understand what's been said, than just laugh with the out-of-context, expressions such as "yeah", "biatch", "sista". African Americans are still used by/for white ignorance and it seems that it is fairly impossible for Americans to get anything funny that isn't in their cultural status, even if this foreign cultural element rather aims to ridicule itself, than seriously impose on any other culture. Americans must felt offended by Charlie's visit in the US or from quotes like: "have we taken a wrong turn and arrived to a set of a pornographic film?", while they were checking in a hotel, because I just can't otherwise understand their dislike to this film. It seems that Quentin alone can't persuade the American audience of the virtues of well written dialogues with unusual vocabulary choices. Now tell me, which is more preferable: "son of a wh..re" or Charlie's line addressing one of his abusers: "your mother and father only met once and money changed hands..propably less than a 20".. David Coepp is a successful screenplay writer, and a fair director, his all star cast performs the way they should be, and are at points hilarious, the plot is fairly twisting... I just can't understand why Depp is not as good as Sparrow, or Paltrow not as good as Iron Man's Potts, or Mc Gregor not as good as Obi-Wan. You might say that only Bettany provides a performance lesser of what expected of him, but that should be rather credited to the screenplay, or the role itself, than his effort which is adequate. The soundtrack contains one of the coolest songs in a movie (Johanna feat. MIles Kane). It is simply one of the best movies for the start of 2015. In the universe of trendy sequels this movie could easily provide a franchise similar to Edward's Pink Panther for the new millenia, much more successful than the American reboot of the series (with the god Steve Martin). I wanted to rank it even higher but I considered this unfair to other movies that are interested in achieving something greater than two hours of fun. If you don't get it, don't hate it!!
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No one said that this movie was aiming for anything else than having a good time watching it.My guess is that everybody that disliked the film never liked Inspector Clouseau for example, or Indiana Jones movies. It is fairly obvious that Clouseau and Kato are Mortdecai & Joki in this one, minus Clouseau's unshakeable trust to his police force skills.Lord Charlie never gets as cocky in front of his "team" of spouse and male servant, for nothing more than his good taste and hideous moustache that surely reminds us of his noble background and also provides some good laughs. It is his "pipe and hat", or "whip and hat", if you prefer, his trademark appearance set. It is fairly obvious that the screenwriters and director tried to reference the opening scene with Temple Of Doom. Lord Mortdecai is a kind of Indiana Jones in the art business, finding lost paintings e.t.c., minus the naive US perspective of a morally right hero. He is a British Lord after all, thus corrupted, pompous and easily sold out to the highest bidder, due to personal debts created by the excesses of luxury and pretentious/decandant aristocratic way of life. Anyway, enough with the U.S. haters, that simply don't get it. In order of an American getting it, the dialogues should have been filled with gangsta rap slang..Then and only then, the joke would be obvious. Now, with this posh dialect and witty selections of words (like using a thesaurus) they should try to understand what's been said, than just laugh with the out-of-context, expressions such as "yeah", "biatch", "sista". African Americans are still used by/for white ignorance and it seems that it is fairly impossible for Americans to get anything funny that isn't in their cultural status, even if this foreign cultural element rather aims to ridicule itself, than seriously impose on any other culture. Americans must felt offended by Charlie's visit in the US or from quotes like: "have we taken a wrong turn and arrived to a set of a pornographic film?", while they were checking in a hotel, because I just can't otherwise understand their dislike to this film. It seems that Quentin alone can't persuade the American audience of the virtues of well written dialogues with unusual vocabulary choices. Now tell me, which is more preferable: "son of a wh..re" or Charlie's line addressing one of his abusers: "your mother and father only met once and money changed hands..propably less than a 20".. David Coepp is a successful screenplay writer, and a fair director, his all star cast performs the way they should be, and are at points hilarious, the plot is fairly twisting... I just can't understand why Depp is not as good as Sparrow, or Paltrow not as good as Iron Man's Potts, or Mc Gregor not as good as Obi-Wan. You might say that only Bettany provides a performance lesser of what expected of him, but that should be rather credited to the screenplay, or the role itself, than his effort which is adequate. The soundtrack contains one of the coolest songs in a movie (Johanna feat. MIles Kane). It is simply one of the best movies for the start of 2015. In the universe of trendy sequels this movie could easily provide a franchise similar to Edward's Pink Panther for the new millenia, much more successful than the American reboot of the series (with the god Steve Martin). I wanted to rank it even higher but I considered this unfair to other movies that are interested in achieving something greater than two hours of fun. If you don't get it, don't hate it!!