Netflix-CEO Reed Hastings recommended this movie in an interview with the German magazine "Journalist" in February 2016, calling it a "truely great story". He added, that it's these kind of unusual plots they are searching for at Netflix. Movie-Director bo Odar and the producers Berg and Wiedemann are now creating the first Netflix-Original in Germany. The series "Dark" about four German families, tragically connected through a dark secret, is set for 2017. See more »
At 1:33:37 there is a person wearing a mask visible in the background; probably on purpose, as the number 1337 bears significance in the film's context. See more »
It is not very often that a German movie tries to do something else than Til Schweiger / Schweighöfer standard comedy. Who am I is one of those very rare films from Germany which deals with a serious subject, has a serious tone and plot and can compete with international movies in the same budget range.
This movie - regarding the mediocre budget - surprisingly can compete with international films. The plot is constantly exciting, the actors are very good, especially Tom Schilling in the lead role. And the ending is something I have never seen in a German film before. A real mindfvck and very clever.
The film is unique in its way to show the Darknet (no spoilers) in a very understandable way. The chosen imagery to show what is going on behind the screen is innovative and is visualized in a way, even people without knowledge of the subject can easily understand and follow the plot.
Who am I definitely is one of the best German thrillers I've ever seen and easily one of the best German films in this century so far. It is good to see young and talented German directors get the chance to finally make movies which do not need to hide behind Swedish or french films. This movie thankfully does not feel "typisch Deutsch" but much more mature and with a better production design than the "typical" German movie feels.
Yes, this movie is not very original and has some minor flaws. However, as the first serious German film outside the boring history drama genre in years (the last one was HELL if I remember correctly), I can ignore them. I really hope this film is a door opener for more well-produced German films in the future which might even become international hits. Something, the Swedish and french cinema already achieved.
9 / 10
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