Kenshin Himura goes up against pure evil Makoto Shishio who is attempting to overthrow the Meiji government. The fate of the country hangs in the balance as Kenshin Himura takes up the sword that he vowed to never draw again.
Kenshin and Kaoru are married. Kenshin leaves Kaoru with their son, Kenji, to lead a revolution in China. But both of them suffer from a seemingly incurable disease. 15 years later, Kenshin... See full summary »
In 1868, after the end of the Bakumatsu war, the former assassin Kenshin Himura promises to defend those in need without killing. Kenshin wanders through Japan with a reverse-edged sword ... See full summary »
Makoto, an assassin who once was contracted by the government, has since become obsessed with tearing it down. Formerly, Kenshin was mainly concerned with protecting Kaoru, but the stakes are now higher as he struggles to protect the nation itself. Written by
"Rurouni Kenshin: Kyoto Inferno" picks up where the excellent first episode left off. The year is 1878, the New Age of Japan has taken over the Imperial/Samurai Age.
A ruthlessly ambitious and dangerous assassin, who was thought to have been executed in the last war, Makato Sishio, had been killing a large number of policemen. Officials seek out Himura Kenshin, the young wanderer ex-assassin with the X-scar on his left cheek, as the only possible match against Sishio. Upon receiving the invitation from the government officials and seeing the terrors inflicted by Sishio and his goons on the citizenry, Kenshin accepts the challenge and sets off to Kyoto to seek out and put an end to Sishio's mad plans.
From the first film, we still have Kenshin's friends: fencing instructor Kaoru, street fighter Sonosuke, doctor Megumi and the young boy Yahiko. We also see samurai-turned-police chief Hajime Saito.
Aside from a couple of big battle scenes where Kenshin practically single-handedly plows through entire troops of Sishio's soldiers, we also see Kenshin in several impressively choreographed one-on-one fights scenes with major supporting characters. First he had a funny fight scene with feisty little Misao Makimachi, who tries to steal his sword. Kenshin fought elegantly with Sojiro, Sishio's effeminate but highly-skilled right-hand man, which actually resulted in the breaking of Kenshin's old trusty back-bladed sword. Kenshin has a big brutal fight with the crazy blond fighter, Cho, which gained for him a new sword to continue his fight with.
Another big fight scene was between Elder, the leader of the Hidden Watchers, a group of vigilante ninjas of which Misao was a leader, and an enigmatic side character Aoiji, an ex-Hidden Watcher who was now on a singular mission to kill the Battosai (a.k.a. Kenshin). His appearance in this film is quite puzzling.
As with the first film, the cinematography, costumes and production design are all so meticulously good. The execution of the fight scenes are also so very well-done. The musical score ranged from traditional Japanese melodies to rock music during the climactic and fiery Kyoto Inferno scene.
However, this second film is clearly just a bridge between the first and a future third film. Even if this film lasted for a long 2 and a half hours, all this one did was set up a battle-royale between Kenshin and Sishio in the third and final film. Unlike the first movie, this film does not end like it could stand by itself. The ending of this one is obviously set up as a cliffhanger for bigger things to come. Fortunately for us, we will only have to wait just another more month to watch that.
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