Shishio has set sail in his ironclad ship to bring down the Meiji government and return Japan to chaos, carrying Kaoru with him. In order to stop him in time, Kenshin trains with his old master to learn his final technique.
Kenshin Himura goes up against pure evil Makoto Shishio who is attempting to overthrow the Meiji government. The fate of the country hangs in the balance as Kenshin Himura takes up the sword that he vowed to never draw again.
In 1868, after the end of the Bakumatsu war, the former assassin Kenshin Himura promises to defend those in need without killing. Kenshin wanders through Japan with a reverse-edged sword ... See full summary »
Kenshin and Kaoru are married. Kenshin leaves Kaoru with their son, Kenji, to lead a revolution in China. But both of them suffer from a seemingly incurable disease. 15 years later, Kenshin... See full summary »
The war against the Tokugawa Shogunate ended years ago. But there are some who are not happy with the outcome. Takimi Shigure watched his friends and family get cut down in the name of ... See full summary »
J. Shanon Weaver,
Moritaka Mashiro, a junior high student, forgets his notebook in class. His classmate Akito Takagi, notes Mashiro's drawings in it and asks him to become a manga artist to his stories. ... See full summary »
Kenshin wakes up to find himself at his master(Hiko Seijuro)'s house after getting washed by the waves to land while he was unconscious at sea for 3 days. Kenshin asks Seijuro to teach him the ultimate and pinnacle technique of the Hiten Mitsurugi school, the Amakakeru Ryu no Hirameki. Seijuro accepts Kenshin's request after they spar with each other. Meanwhile in Tokyo, Prime Minister Hirobumi Ito attends a meeting with Makoto Shishio who forces him to declare Kenshin a wanted outlaw and have him publicly executed or else Shishio will destroy both Tokyo and the government. Written by
Sonoda Haro, Kagoshima, Japan
Cherry blossoms in Spring. Stars cover the sky in Summer. Full moon shines in Autumn and in Winter, the snow covers the ground... All these things make sake taste good. If it tastes bad, it's because there is something wrong with you
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.... is that you need an even bigger movie to kill them.
A story so big it steals from the characterization and the development of the themes that made the Kenshin tale so interesting in the first place.
I have already questioned why anyone in their right mind would want to spend the better part of 6 hours building up to the "final fight" behind Kenshin and the super-baddie (who is so overdrawn he could just as easily have appeared in a Bond film) ....?
And I see in the IMDb, at least so far, one or two fans have been brave enough to make the very same points I am making.
To be honest, I enjoyed the children's TV series more than this opus. Whether that makes me a poor critic or a child at heart is another matter entirely.
I repeat my view that the point of film is to entertain. If a film fails to entertain, it fails, period.
In this film, the only one who seems to be having fun is Masaharu Fukuyama, playing Kenshin's original Master, conveniently appearing to assist a very tricky plot arc.
The first time he finds Kenshin on the beach, almost dead, he remarks how astonished he was to see his "stupid student" again after almost 15 years.
But he says it with a smile, and we know he is happy to see Kenshin.
At that single juncture, I thought, for one brief shining moment, that this saga was finally going to be fun.
And it was. For the 15 minutes or so that Masaharu Fukuyama appears on camera, we get a peek at what this film might have been.
But just a peek.
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