4 items from 2017
It’s no secret James Franco is one of the most hate-him-or-love-him actors working in Hollywood. But even those who consider themselves fans don’t always show up to the countless indies he makes in any given year, from “Memoria” to “The Adderall Diaries,” “King Cobra” and directorial efforts “In Dubious Battle” and “The Sound and the Fury.” At this point there’s no denying Franco has talent, but he takes on so many middling projects and appears in what seems like everything to the point that it can be hard to remember why you loved him in the first place.
Fortunately, Franco looks like he’s ready to remind us why he belongs in the business. It’s happened before — his Oscar-nomianted lead performance in “127 Hours,” his go-for-broke turn in “Spring Breakers” and »
- Zack Sharf
Silberman’s book, “Neurotribes: The Legacy of Autism and How to Think Smarter About People Who Think Differently,” was published in 2015, won the Samuel Johnson Prize for non-fiction, and was named one of the best books of 2015 by the New York Times, the Economist, and the Guardian.
“Neurotribes” covers a history of the changing perceptions of autism over the past 80 years, going back to the research of Leo Kanner and Hans Asperger. It also explores why the number of diagnoses has soared in recent years. »
- Dave McNary
Exclusive: Scott Haze, who has appeared in such films as Jeff Nichols’ Midnight Special, The Sound and the Fury and Child Of God, has signed with a team at CAA, moving from ICM. Haze recently was seen in James Franco’s In Dubious Battle, with Nat Wolff, Josh Hutcherson and Selena Gomez, which premiered at last year’s Venice Film Festival. His upcoming slate includes Jason Hall’s Thank You for Your Service, starring Miles Teller and Amy Schumer, which Universal releases… »
Let it be known that I genuinely like James Franco. Given the choice between ‘yer average pretty boy movie star and a ludicrous avant-garde polymath jester, I’ll pick the latter every time. Problem is, while the self-titled Mayor of Gay Town gleefully smashes through cultural/social/artistic boundaries like a steam train, the art that’s produced at the end of it is… not great.
And so to In Dubious Battle, an adaptation of John Steinbeck’s 1936 novel of the same name and the latest in Franco’s quest to put his favorite books on screen. This weighty literary project has, thus far, borne little of value. His adaptations of Faulkner’s The Sound and the Fury and As I Lay Dying were “nearly unwatchable” and “stale and jumbled,” and his take on Cormac McCarthy’s Child of God “tedious and meandering”. Sadly, this trend remains unbroken.
Set during the Great Depression, »
- David James
4 items from 2017
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