A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
The film is divided into six segments. (1) "Pasternak": While being on a plane, a model and a music critic realise they have a common acquaintance called Pasternak. Soon they discover that every passenger and crew member on board know Pasternak. Is this coincidence? (2) "The Rats": A waitress recognizes her client - it's the loan shark who caused a tragedy in her family. The cook suggests mixing rat poison with his food, but the waitress refuses. The stubborn cook, however, decides to proceed with her plan. (3) "The Strongest": Two drivers on a lone highway have an argument with tragic consequences. (4) "Little Bomb": A demolition engineer has his car towed by a truck for parking in a wrong place and he has an argument with the employee of the towing company. This event destroys his private and professional life, and he plots revenge against the corrupt towing company and the city hall. (5) "The Proposal": A reckless son of a wealthy family has an overnight hit-and-run accident, in ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the credits at the beginning, each main actor of each tale is identified with a wild animal. In the director's case, it is a fox. Szifrón said that this was because his father had liked foxes a lot, and had used to watch lots of documentaries about them. He also felt identified with that picture, more specifically with the fox's gaze, as the job of a director is in the gaze. See more »
In the segment "Road to Hell", the rear wheel of the Audi A4, leaves the car twice before falling. See more »
In the opening credits of the film, each actor is identified and accompanied by the image of a wild animal. In the case of the director (Szifrón), he chose a fox, the reason is not only because he is red haired: "The fox was an animal that my dad really liked, he always saw foxes documentaries, I think that's why I chose it..." See more »
I went to see this movie hoping to get a brake from Hollywood production. And I did. It was amazing, one of the best movies I've seen on big screen in 2 or 3 years.
Plot consists of different stories which all have one thing in common: they are about revenge. Every single story starts rather boring. At the very beginning I was thinking "What's so wild about it? It is just lame" and by the end of the intro I was like "Holy God! No, they did not just twist it like that! OMG!"
And it gets better. A true masterpiece. I am from Russia so for me it was rather interesting and surprising that Latin America is so similar to Russia. The views, the behaviour of the people, the insanity - all like at home.
You won't regret seeing this movie. Don't take your kid or your grandmother though.
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