6.8/10
1,337
2 user 11 critic

Gwansang (2013)

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1:24 | Trailer
About Nae-kyung who is able to assess the personality, mental state and habits of a person by looking at his face. Because of his abilities, he gets involved in a power struggle between Prince Sooyang and Kim Jong-Seo.

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(screenplay), (screenplay)
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16 wins & 16 nominations. See more awards »

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Cast

Credited cast:
...
Nae-kyung
...
Prince Suyang (as Jung-Jae Lee)
...
Kim Jong-seo
...
Paeng-heon (as Jo Jung-suk)
...
Jin-hyeong
...
Yeon-hong
Rest of cast listed alphabetically:
...
Han Myung-hoi
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Storyline

Set during the seizure of the throne by Sejo of Joseon in the year 1455, the movie follows the life of Nae-Kyung. Nae-Kyung, the son of a ruined noble family, goes all around Joseon and studies physiognomy. He is able to assess the personality, mental state and habits of a person by looking at someone's face. Because of his abilities, he gets involved in a power struggle between Prince Sooyang and Kim Jong-Seo. Written by anonymous

Plot Summary | Add Synopsis

Genres:

Drama | History

Certificate:

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Details

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Release Date:

4 October 2013 (USA)  »

Also Known As:

Az arcismerő  »

Box Office

Opening Weekend:

$117,454 (USA) (11 October 2013)

Gross:

$484,112 (USA) (18 October 2013)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Yun-shik Baek and Hye-su Kim previously co-starred to Tazza: The High Rollers (2006). See more »

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User Reviews

 
For those who are interested in Korean filmmaking and History
10 March 2014 | by (Italy) – See all my reviews

The film narrates, in an enjoyable way, a crucial point in 15th Century Korean History and although the main character (the face reader) and his friends are fictional, most of the others are real historical figures, from King Sejo himself to his legendary adviser, Han Myung-hoe

It's a good movie, spiced with funny characters and beautiful women, well acted, edited and directed. The script has a classical breath that reminds of Shakespearian works but could be perceived somehow naive or slow paced by a Western audience.

Therefore I would not recommend it to someone who is not interested in the Asian way of describing human feelings or is not willing to experience something alien. The idea that face reading could reveal the human soul or that someone's destiny is carved in his own outlines is catching and very well developed.


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