Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Tommy Saxondale is an ex-roadie with anger management issues and his own pest control business in Stevenage. Having survived a hostile divorce, Tommy now lives with his girlfriend Magz. ... See full summary »
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
Years after their successful restaurant review tour of Northern Britain, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy. Once again, the two comedy buddies/rivals take the landscape as well as the cuisine of that country in a trip filled with witty repartee and personal insecurities. Along the way, their own professional and personal lives comes in as these slightly older men's friendship comes through. Written by
Kenneth Chisholm (email@example.com)
In one scene Rob Brydon comments that Tom Hardy couldn't do what he does. In the film Locke Tom Hardy plays a man with a strong Welsh accent filmed entirely through dash-cams while driving and the audience is watching his life and marriage collapse. Rob Brydon's breakthrough performance was in Marion and Geoff, a programme fitting the same description. See more »
Toward the end of the movie (33 minute to the end), they are showing and commenting about a fruit they call "kumquat" which is in fact a "Physalis" also called "Cape Gooseberry", a fruit originally from Chile and Peru. A Kumquat is like a miniature orange with leathery leaves, and is rarely eaten raw because of its citrus like flavor. A physalis has a paper-like husk like a tomatillo and is very sweet when ripe. See more »
You do know that I'm not a homosexual
We are not having a romantic dinner, we are having a stimulating lunch
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Vier Letze 'Im Abendrot'
Composed by Richard Strauss & Joseph Freiherr von Eichendorff (as Joseph von Eichendorff)
by permission of Boosey & Hawkes Ltd, An Imagem Company
Performed by Elizabeth Schwarzkopf and Philarmonica Orchestra
Licensed courtesy of Warner Music Ltd See more »
As with their first "The Trip", I've had ambivalent feelings about these Coogan/Brydon travel/food/comedy serials. This new series follows much of the first.
If you loved the first, that's good news. But the program is a mixed bag to where you really have to call out the good and the bad.
First, the good. Coogan and Brydon have a great personal chemistry that comes off in the series as something unscripted. The locations are gorgeous, and the soundtrack adds to the grandeur of place. The series is also somewhat groundbreaking in introducing a genre of travel-food- comedy, which has its merits.
The restaurants featured in the series are researched and quite extraordinary. And the literary trail of the likes of Byron and Shelley add a cultural relevance to the program where, I would have to say, I would enjoy partaking in such a Magical Mystery Tour myself.
Next, the bad. If you removed the impersonations of Michael Caine, Sean Connery, etc., 70% of the program would be on the cutting room floor. There are few themes of humor in the program, and they are mercilessly beaten to an absolute pulp. Can you imagine spending a week-long vacation in Italy with a friend who basically ran the same gag everywhere you went?
This makes the program the Beavis & Butthead of the BBC set. If the gag gets old or doesn't work for you, the show has little else to offer you besides a few good visual scenes with the sound turned off.
Like the Magical Mystery Tour, the show's arc comes off as rather aimless and without a real destination. If the joy is in the travel, and some of it is, that would be one thing. But if there's no joy in bad impersonation banter of actors from years gone by, there's too much to redeem itself.
As a whole, the program offers glimpses of creative ideas and possibilities while failing to execute to their potential. Injecting an actual scriptwriter might have seemed anathema to the program's vision and goals, but there are few programs I've seen this year that so sorely could have improved with just one decent writer.
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