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Visitors (2013)

Not Rated | | Documentary | 24 January 2014 (USA)
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Director Godfrey Reggio reveals humanity's trance-like relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species.

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Director Godfrey Reggio reveals humanity's trance-like relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species.

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Documentary

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Not Rated | See all certifications »
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24 January 2014 (USA)  »

Also Known As:

Goscie  »

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Opening Weekend:

$9,094 (USA) (24 January 2014)

Gross:

$70,367 (USA) (7 March 2014)
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Godfrey Reggio's first film in 11 years. See more »

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Faces Reassuring
24 May 2014 | by (United States) – See all my reviews

I'm not familiar with Godfrey Reggio's work, but looking him up, he's an acclaimed documentary filmmaker who likes to make movies that have no real plots and instead relies on silent videos and images, set to usually very haunting music. Visitors seems to continue that trend by making a movie that from a visual perspective is fascinating to look at, but from a sit down and watch perspective is a little harder to view. In many respects, this film is basically a challenge to watch, but I don't regret seeing it, because after watching this film, I'm more interested in looking up this man's work than I ever was before.

Visitors has no real plot. Instead it is a film that tries to reveal humanity's "trace-like" experience with technology, which, when commandeered by extreme emotional states, produces massive effects that are far beyond human reach. The film uses footage in black and white of people and places to try and get a particular feeling from the audience.

The films opening should be a warning for the audience. It features a shot of a gorilla played to dramatic music that slowly pans to a shot of what looks like the moon. The first ten or so minutes of the movie is shots of people, but they are very still. It's an impressive feat, considering these are real people, and not trained professional actors. Despite this they manage not to move a muscle, back or forth.

The film has recurring motifs. Shots of the outside of a building are shown ten times or more. The film also has interesting ways of shooting; a slow motion shot of a man yawning, a closeup of kids on what appears to be a merry go round, going back and fourth, a shot of just three heads and so on. There are a lot of fascinating things to watch from a film fan perspective.

The music can go from being slow and mystical, but then it becomes very overpowering, and in some ways, interrupts the film.

Visitors is an interesting experiment. Out of the all of the films I've seen this year, this is probably the most bizarre and surrealistic of all them all. No plot, but the film pulls me in, because of how it is made. I can't really recommended this film to everyone, but I can say, if you're interested in watching a movie that is basically images and music, then go right ahead.


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