In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
The story of independent, beautiful and headstrong Bathsheba Everdene (Carey Mulligan), who attracts three very different suitors: Gabriel Oak (Matthias Schoenaerts), a sheep farmer, captivated by her fetching willfulness; Frank Troy (Tom Sturridge), a handsome and reckless Sergeant; and William Boldwood (Michael Sheen), a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love - as well as the human ability to overcome hardships through resilience and perseverance. Written by
In the opening credits it states - Dorset, 200 miles from London.
Nowhere in Dorset is that far from London, the furthest distance is about 155 miles, with the location of the book/film being about 130 miles. See more »
"Bathsheba Everdene." "Bathsheba." The name has always sounded strange to me. I don't like to hear it said out loud. My parents died when I was very young, so there's no one to ask where it came from. I've grown accustomed to being on my own. Some say even too accustomed. Too independent.
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Far from the Madding Crowd, a well respected novel with an adaptation already to its name, hasn't got much new ground to cover. This 2015 film, starring Carey Mulligan, upholds the book's reputation. Bathsheba (Mulligan) is a headstrong farm owner who meets three possible suiters in a short space of time; Gabriel the farmer, William the nobleman and Frank the soldier. All bear distinctive qualities. All wish Bathsheba to marry them the moment they lay eyes on her. FftMC favours one man over the rest. We're smitten before even given the chance to decide. Mulligan's the charismatic, leading lady, making decisions that come at a price. Schoenaerts, Sturridge and Sheen add flavour to this period drama, their personalities and dialogue capturing what action cannot.
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