In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
During the early years of Nazi occupation of France in World War II, romance blooms between Lucile Angellier (Michelle Williams), a French villager, and Bruno von Falk (Matthias Schoenaerts), a German soldier.
Kristin Scott Thomas,
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
The story of independent, beautiful and headstrong Bathsheba Everdene (Carey Mulligan), who attracts three very different suitors: Gabriel Oak (Matthias Schoenaerts), a sheep farmer, captivated by her fetching willfulness; Frank Troy (Tom Sturridge), a handsome and reckless Sergeant; and William Boldwood (Michael Sheen), a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love - as well as the human ability to overcome hardships through resilience and perseverance. Written by
The filmmakers asked the army at Lulworth in Dorset to stop firing while they shot scenes near Lulworth Cove. See more »
In the final scene when Gabriel leaves the farm he is wearing white trousers and white shirt with a dark waistcoat but shortly later when B catches up with him he is dressed in completely different clothes. See more »
Mr Oak, I don't want a husband. I'd hate to be some man's property. I shouldn't mind being a bride at a wedding if I could be one without getting a husband!
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Warning: I watched this on a flight so not necessarily a visual treat... Set against lovely backdrops of the country side and telling a classic story, Far from the Madding Crowd is the best period drama I've seen since Pride and Prejudice. As a tale, FftMC's characters are as true and real as they ever are - whilst the gender story isn't as important as it might once be (although it's not entirely irrelevant no matter how much I'd like to hope it would be) and the politics of the era hopefully something of the past, this story still explores the plight of love and trying to be true to yourself under outside pressures which, I feel, remains as true today as it ever did. The soundtrack does manage a few mis-steps, but is generally lovely and the overall package feels very polished and beautiful. Casting is solid and the script manages to be modern without losing any of the charm of the classic. The story itself, if you don't already know it, is touching and heart warming - human and full of love and mistakes - and just prefect as a result.
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