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Neram (2013)

7.4
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Can a young man escape from the clutches of a loan shark on time?

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Title: Neram (2013)

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Cast

Cast overview, first billed only:
Nivin Pauly ...
Mathew (Malayalam) / Vetri (Tamil)
Nazriya Nazim ...
Jeena (Malayalam) / Veni (Tamil)
Lalu Alex ...
Johnykutty
Bobby Simha ...
Vatti Raja (as Simhaa)
Thambi Ramayya ...
Saravannar
Shammi Thilakan ...
SI Ukken Tintu
...
Dhandapaani M
Manoj K. Jayan ...
Rayban
...
Katta Kunju
Charlie
RJ Ramesh Thilak
Anant Nag
Shabareesh Varma
Crane Manohar ...
Auto Driver
Manobala ...
Doctor
Edit

Storyline

The lead character Vettri (Nivin) is a nomad in search of a job after being fired from a bankrupt multinational. He borrows some money from a local goon Vattiraja (Simhaa) for some family commitments and he is not able to repay it back on time. To pile up his troubles, his girlfriend Veni (Nazriya) runs away from home as her father does not acknowledge their love. To add fuel to the flare, his sister's husband demands the pending dowry to start over his new found business. All of these need to happen by 5pm in a single day and of course with little time left. If you think that's the end to all of Vettri's woes, no! There are plenty more which keep mounting his head, so will he successfully repay Vattiraja to escape his wrath? What happens to his love? How does he escape the police? Written by Joseph

Plot Summary | Add Synopsis

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Release Date:

10 May 2013 (India)  »

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Did You Know?

Trivia

Initially, actress Bhama was opted for Nazriya Nazim's role and she acted in few scenes of this film. But later Nazriya Nazim replaced her and those scenes were being reshot with her. See more »

Crazy Credits

In the "thanks," section at the beginning, the director has thanked "his ex-girlfriends (especially the last one)" See more »

Soundtracks

Kaatru Veesum
Composed by Rajesh Murugesan
Written by Pradeep Palarr
Performed by Haricharan
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User Reviews

Like watching an enthusiastic but amateur dancer appear on professional dance competition; it has spark, some skill but lacks finesse. Its concept is clear yet design patchy.
22 May 2013 | by (India) – See all my reviews

Neram is like watching an enthusiastic but amateur dancer appear on a professional dance competition; it has spark and some skill but lacks finesse. Its concept is clear yet the design is patchy; every character in Neram has the quality of being memorable but not the essence. You would be less interested in a match between two low-ranked players, irrespective of their improvement on court, than a battle between two top seeders. Neram sometimes feels stodgy and heavy-handed but you do admire its efforts nevertheless. But you want more, you want something delicious, something you can relish like sinful dark chocolate but what Neram provides you is Milky Bar. Nice, no doubt, but not to make you go 'Bow Chicka Wah Wah!' Axe style.

My intention wasn't to watch Neram at all when I entered Mayajaal theater hall in Chennai. As there wasn't any other movie playing at that time (well I did have options but it was either this or the animated film Epic or worse, a long three hour wait for the rest of the films), I chose to go for Neram, only because I was pleased by the efforts current Tamil directors were putting in their films unlike many of their Bollywood counterparts. When I entered the hall, the movie had not 'kindly stopped for me' (couldn't resist using the Emily Dickinson phrase!) so I can't exactly tell how it began. My version began with the scene where Vatti Raja, a small-time money-lender cum thug berates someone for not repaying the loan as others, including our protagonist Vetri and his friend look on unnerved. The scene ends with Vetri's friend farting and I thought immediately 'Was that necessary?'. A number of such embellishments weren't needed, but Neram retained them, making the film feel like an over-decorated Christmas tree. Like after this very scene when Vetri begins telling about his love life and we are taken back to his school days when he met his future fiancé Jeena the first time in the sixth grade I think; the scene is cute until the film also decides to add an entire song sequence with Vetri and Jeena performing the predictable 'park foreplay' (with bubble-blowing, this time) and the sappiest audience goes 'Ah! What I cute couple!'. I was unmoved.

Later, when Neram gives rest to silly romance, it works as a Tarantino- like comedy. Vitri frets about the consequences of not repaying his debt to Vatti Raja, while trouble also brews up when Jeena's father objects to their relationship on learning that Vetri is unemployed. Jeena plans to elope with Vetri but that's when chain gets stolen; interestingly, one of the members from the same gang of chain-snatchers robs Vetri's money, which he had taken from his friend (I think; am an unreliable narrator here, not having watched Neram from the beginning). A parallel storyline involves a guy (don't ask me the character's name nor the actor who's playing him. Wish Wikipedia could update its character bios in Neram) who keeps a 'cool' nickname for himself, likes ogling at girls a lot (another idiotic scene at hospital when we hear his inner voice saying 'Oh, lady's voice!' as a nurse enters the room during an otherwise engaging scene) and also, like many others in the film, owes some money to Vatti Raja. The manner in which their lives intertwine is interesting because most of the characters don't know, even after they meet, how actually similar their problems are. All this happens post interval, and so many things seem to be a work of sheer chance or fate that I wondered why the film wasn't titled 'Chance' or 'Faith', the Tamil word for them.

Neram plays out like a simple comedy, although it attempts to emulate a Tarantino film. While Tarantino's dialogs are so mesmerizing and mystifying that monologues which would be considered ramblings if heard elsewhere sound monumentally profound, Neram simply kids around with quirky characters; its non-linear narrative has to be given credit though. The actors play in accordance with their script; they are less irritating when the script wakes up but not even one would remain with you after the film. And who took the decision of giving the role of Vatti Raja to Simhaa, who is in no way intimidating? I understand this is a comedy but I should at least feel even a little of what the characters feel towards another to get more involved with the film. Even a little more dexterity in editing would've helped a great deal; take the scene when Vetri's friend's boss rebukes him for shaving off his beard. He then goes inside and screams at another employee but later apologizes when it turns out to be a girl; the second part happens off- screen and we could only hear the gag. Based on the audience response, very few caught the gag because I heard little reaction from the audience; the gag (a little silly, of course) isn't treated well, with not enough sound so audience members could hear it and a sloppy editing treatment which cut off the gag quickly. I guess the film wanted to pack as many punch-lines as possible in little time but timed a few of them wrong. Well, maybe I'll see a better output from its director Alphonse Putharen another time.


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