7.1/10
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The Dressmaker (2015)

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A glamorous woman returns to her small town in rural Australia. With her sewing machine and haute couture style, she transforms the women and exacts sweet revenge on those who did her wrong.

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Writers:

(novel), | 1 more credit »
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735 ( 131)
15 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Irma Almanac
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Evan Pettyman
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Beulah Harridiene
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Muriel Pratt
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Elsbeth Beaumont
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Tracy Harvey ...
Lois Pickett
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Una Pleasance
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Alvin Pratt
Geneviève Lemon ...
Mae McSwiney
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William Beaumont
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Storyline

Based on Rosalie Ham's best selling novel, The Dressmaker is the story of femme fatale Tilly Dunnage who returns to her small home town in the country to right the wrongs of the past. A stylish drama with comic undertones about love, revenge and haute couture. Written by Sue Maslin

Plot Summary | Add Synopsis

Taglines:

A film about love, revenge and haute couture. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for brief language and a scene of violence | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

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Release Date:

29 October 2015 (Australia)  »

Also Known As:

El poder de la moda  »

Box Office

Budget:

AUD 17,000,000 (estimated)

Opening Weekend:

$185,165 (USA) (23 September 2016)

Gross:

$2,021,399 (USA) (16 December 2016)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kate Winslet and Judy Davis had a hard time keeping a straight face while filming the scene where Liam Hemsworth strips off to get a measurement. See more »

Goofs

When Tilly arrives in town, she's carrying a case for a manually operated Singer sewing machine. Later on, when we see her at work, there's no handle on the side of the machine and she's clearly using both hands to guide the fabric. The Singer was operated by a knee lever that stored within the case when closed and then was pulled out and slotted into the bed of the machine leaving both hands free to guide the fabric. Very portable for the era. See more »

Quotes

Molly Dunnage: You could be married in this suit... snapped up by some eligible spinster... or hag...
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Crazy Credits

Windmill squeak is heard at then end of the credits. See more »

Connections

Referenced in Film '72: Episode #44.10 (2015) See more »

Soundtracks

Bridal Chorus
Composed by Richard Wagner
Arranged and recorded by David Hirschfelder
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User Reviews

 
Spell-binding Story
8 November 2015 | by (Miami) – See all my reviews

Banished from a remote and sparsely populated Australian town when she was ten, Tilly (Kate Winslet) returns many years later. Fresh from conquering the fashion world in Paris, Tilly's form fitting red dress turns heads immediately. Some say Tilly committed a horrible crime and was cursed for it. Tilly has come in order to better learn the truth about what really happened and to set things right. There are many things on her mind including determining her own guilt in the matter, her mother Molly who appears to be mad, lifting the curse, finding love and revenge, among other things.

Battle lines form. Many want Tilly to be guilty and cursed. They work to get her seen in the worst light. The haters may even include Tilly's mother Molly. Yet there are many who believe in Tilly. As she sets up a dress making shop and helps create new and better characters for people, her allies grow. The dresses she makes change how people see themselves and how others view them. It may not be Tilly who is cursed, rather it might be the town for the judgments that they heaped upon a girl.

At the heart of this wonderful film is the theme of how a few awful people make life so bad for others by their terrible and swift judgments. The film is set in the 1950s and is both serious and funny. P.J. Hogan is one of the best screenwriters. His stories are complex and full of amazing twists & turns. His insight into human nature, especially female characters, is spot-on. Added to the spell-binding writing is superb acting by Kate Winslet, Hugo Weaving and the others, the always intriguing back-drop of Australia, compelling themes and characters, and superb directing and organization. Of the 32 films I saw at the Toronto International Film Festival this year, this was the best.


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